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uranometrias · 5 months ago

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wait for your love, spencer reid (pt. 2)

this is the second part to this. tysm for all the love on the first part, as well as all the new follows. this literally took so long, and i'm literally so sorry. i suck, but i hope you all enjoy it nonetheless. xx

you can read the alternate version for jj right here.

pairing: aaron hotchner x bau! reader | spencer reid x bau! reader | s7 team x bau! reader (platonic)

summary: following the dismissal of the case against the bureau, you're trying to get back into the swing of things. that moment of realization that comes with discovering the love you feel for someone else isn't reciprocates is never fun. but it's a truth you're meant to accept nonetheless, with a bit of help from your dearest friend spencer, you find that through a conversation about the realities of music and their hidden messages getting the courage to move on is not quite as difficult as you might have initially thought. especially when there's someone like spencer reid waiting on the other side. except of course, things always get difficult when it seems now as you're moving on, the past object of your desires is believed to feel the same way you always have.

content warnings: this is the sequel to angst lol. it's still very kind of angsty, but not as bad! it doesn't exactly end with spence/reader running off into the distance together, but i think it has a very bittersweet & sort of hopeful ending, which i felt made the most sense for a storyline like this. sometimes people have feelings for people that don't like them back, and sometimes it's just something we have to deal with.. sad but true. && i didn't want spence to seem like a rebound for reader, so i tried to go the route of her slowly putting the pieces together that maybe spence had romantic feelings for her && going from there. still spencer somewhat confesses his feelings for reader, hints that hotch might actually like reader, jj/reader reconciliation, because it needed to happen soz! she might have feelings for y/n too idk... she's kinda pulling everybody. this feels kinda melodramatic, but also idk i want epic romance vibes so i tried my best xx

i also love how hotch was such a focal part of this story and never physically showed up once... hmm.

tagged the people that asked for part 2 xx

@stvrlitsky , @cocopuff213 , @aaronhotchnerlover , @ofagathachristies , @blurpleuni-squid , @wolf-phoenix-lover , @babyspiderling , @queermaxwooo , @jihyowrrld , @minkyungseokie , @silentjudger , @btskzfav , @barbeddreams , @ah-blossom , @darker-december

It had been about a week since the court proceedings, you'd been more than a little surprised to find that you all managed to walk away scot free. You still hadn't managed to work up the courage to place your resignation papers on Hotch's desk, probably because you still hadn't gotten up the strength to face him or anyone else for that matter. You weren't outwardly abrasive, you'd offer small nods of greeting when you showed up in the morning, waves as you left.

But everyone knew that it wasn't the same.

Penelope had been trying to get you out for a night of bonding with her, Emily, and JJ, and you'd been keen on turning her down. You don't think you were quite there yet, the wound however surface level was still fresh. Looking at Emily, only reminded you of your grief, how much you had missed her. Looking at JJ only reminded you of how she hadn't had the courage necessary to tell you the truth. You'd tried to take their positions into account, look at things through a different view, but it hardly worked. You just wanted to be left alone.

Spencer was still the only one privy to the thoughts you had about ending your career at the FBI, and everyday he seemed to be holding his breath. It had become a habit to catch him staring at you with his face pinched up like he was deep in thought. It was partially why, even as your eyes skimmed over a file, you knew that he was looking in your direction. "Spence." you mutter quietly, eyes not quite meeting his as you highlighted something of importance in blue.

He sits at attention, back straight, eyes wide. He looked like a puppy that'd been caught doing something bad and was waiting for punishment. "You're doing it again." you exhale, and then you finally manage to peel your eyes from your work, eyebrow raising as you take him in tiredly. "Do you need something?" and he bares down on his bottom lip, almost as if he was thinking over his next move. He stands tall, grabbing hold of his chair and tugging it until it was planted on the other side of yours, before he sat down politely.

"Are you okay?" he's talking quietly, likely to salvage a bit of your privacy. You'd become a bit of a walking attraction in the bullpen, everyone seemed to follow every one of your actions with their eyes. You tap your highlighter against your desk, head tipping to the side as you scrutinize the man. You didn't know exactly what was going on with Spencer, but you had a small inkling, it was nothing more than an internal feeling if you were completely honest about it.

Your sister had been asking about him quite constantly lately, and after learning that day in the courtroom that for some odd reason the duo spoke over the phone, it made you pay a bit more attention to the certified genius than before. "I'm fine, Spencer. Just like I was when you asked me yesterday, and the day before that, and the day before that." you keep your tone light, not wanting him to think that you were by any means annoyed with him. "What's going on?"

"I guess I keep waiting for you to disappear." he admits, head nodding involuntarily. "You're here right now, and you look fine." he continues, and you like listening to him, even if he was breaking one of the rules, and choosing to profile you. "So shouldn't things feel different? Better at least, like before?" he asks, and you don't expect that. Maybe he wasn't profiling you at all, and instead was expressing himself to a friend. "At least a little bit?" he asks, and you think it over.

"I don't think it'll ever be like before, Spence." and you hate to be the Betty Buzzkill, but it's as true as you can be. "How can it?" and Spencer's eyes jump across the room, landing on Emily who was not so subtly watching the two of you speak. You follow his gaze, and blink harshly when Emily's eyes connect with your own. It forces you to look right back at Spencer. He looks pensive, and you wonder how long he's been working up the courage to say more than 'Are you alright?'

"She was dead... and now suddenly she's not. That's great, but I grieved my friend, and maybe I'm not done grieving the Emily I knew before." and it's the first time you're admitting this aloud. "Our Emily, not the- Interpol Superspy." and you huff. "And look, I know I should be grateful, how many people get back the people they love after death?" and Spencer doesn't answer. "But is she really back? Is she really still our Emily? And how long before she's ready to pack up her stuff and take off? I'm not opening myself up to that again."

Spencer thinks your point is valid, he at one point had insisted that he had the worse abandonment issues on the team, but you had been right there through most of it. You were, in your own way protecting yourself from being hurt again. He couldn't fault you for that, none of them should. "I understand." and truthfully he does, and he's glad that at least you trust him enough to be upfront about it. "There's nothing wrong with shielding yourself from heartache, I just don't want you to close off completely... not from all of us."

You falter, and Spencer hates that he can't just say that he doesn't want you to close off from him. He didn't want this situation to change the way you behaved with him, he couldn't handle losing you.

"I won't." you promise. "And I won't do anything to jeopardize what we do here, I've got enough self control to be civil." you add with a small smile. "I haven't quite decided what a future at the bureau will look like, but I am willing to give things here a chance to get better." and you do love your work, Profiling was something you enjoyed doing, you wouldn't toss it away, unless you absolutely had no other choice. "So you don't have to worry about losing me, Spence." and you hold your breath, mostly because it's a bit audacious on your part.

He offers you a half smile, and you notice the way he visibly relaxes. Still, he doesn't want you to feel obligated to stay somewhere just for his sake, so he feels the need to be honest with you. "I'm not worried." he promises you, and it's a tiny fib, one that could become true if he grew just a touch more confidence. "Even if you did decide to leave one day I would put in the work to keep you in my life." and his smile stretches across his face now, and reaches his eyes. "You're not someone anyone would want to lose." your stomach twists.

"You're not either, Spencer." and you say it firmly, mainly to show just how much you need him to believe it. "I'd just make it my job to take up all your free time outside of work." and his face feels incessantly warm, like he'd stuck his head directly in the stream of scalding shower water. The funny thing about you was that you were oftentimes one of the hardest on the team to read. He figured that because he spent so much time hyper focused on you that he'd get better at it. He still hadn't, and you still managed to leave him stuck.

Comments like the one you just made were common for you, but the meaning behind it always escaped him. Were you flirting with him or were you just being nice? Was it possible that you knew that he had feelings for you? Were you using him as a rebound after the mess you'd found yourself entangled into with Hotch just months ago? The thought of him merely being an emotional rebound made him sad, disappointed, and insecure. But then he's taking in your expression, how despite your confidence you still look shy, and reels it in.

You had never been that sort of person, maybe you were just as oblivious as he was. "I'd be okay with that now." and you look a bit surprised, but also pleased. You nod your head slightly, leaning forward just a little in your seat. Spencer isn't sure if he's moved too quickly, but he's got no room to second guess it now.

"We should do something." it's not at all what he'd expected you to say, and he's surprised, it's more than evident on his face.

"Who? Us? Just the two of us?" he asks, and you find yourself offering him an amused sort of glance.

"Yeah, it could be fun." you insist, and you're not trying to play with his feelings, at least not in the traditional sense. Spencer Reid was no rebound. "It's not often we have days off, you know?" and you lean against your palm, head tipping slightly to the side. "Only if you want." you add, hoping that this addition would make him feel a touch more comfortable. It seems to work, because he untenses just a bit.

"Y-Yeah." he nods his head slightly, hair moving with the action just slightly. "Yeah, we should definitely do something." he agrees, and your smile is bright, clearly pleased at the turn of events. "When would you?" his eyes jump to his watch, and he shakes his head. "Obviously, not right now." he says and you're staring at him a bit bemused, because Spencer Reid was nothing if not a bit unserious.

"There's this music store I've been dying to check out." you say, and you witness Spencer's eyes seem to brighten. "It's sort of right on the strip, if you don't mind going with me to look at some vinyls and cd's for my collection, we could just go-" and you're eyebrows are raised, "And see what happens? There's a lot you could do..." you finish, and Spencer's already nodding his head in agreement.

"T-That's..." and he clears his throat, you think to keep you from acknowledging the fact his voice cracked in his nervousness. "Yeah, I don't mind that at all." he agrees politely. "Did you know that in the late 19th and early 20th centuries, record stores only sold gramophone records, but over time they've sold other formats like eight-track tapes, compact cassettes, and compact discs." his hands curl into one another as he relays this message and you snort.

"Did you know that there's a national record store day? It started back in 2008." and he's a bit surprised that you're shooting him a fact of your own, and one that he wasn't actually aware of.

"Really?" he questions, and your eyes sort of crinkle, smile broadening enough to show off both rows of your teeth.

"Don't tell me that I know something the brilliant Doctor Reid doesn't." you tease, and his eyes roll, though his entire demeanor remains lighthearted. "So, what's your poison?" you sidestep, but just barely, your work ignored as you focus all your efforts on keeping this conversation with Reid going.

"My poison?" and his mind of course drifts to alcohol, a bit of a confusing pivot in the conversation. "I don't really see myself as much of a drinker." he admits truthfully, and he's confused when you're laughing, hand flying up to cover your mouth as his face contorts.

"I meant your favorite music genre." you correct. "And I know you're partial to classical," and you try not to stretch your eyes. "It's great when I need to concentrate, but I wouldn't exactly say I'm dying to put on Bach and Tchaikovsky in a regular setting." you explain, both hands resting against your cheeks as you await the hopefully longwinded answer he'd have to give you.

"What if that's my only answer?" he asks, and you scoff.

"It's not." you deadpan, and he exhales through his nose. "I know you and Morgan have that understanding about music..." you explain, head cocked to the side. "He got you to listen to Nas." you remind him as he purses his lips at the reminder. "And Garcia's always sending music recommendations." you proceed as Spencer shoots you a look that clearly reads 'What's your point?'.

"Are you really telling me that out of every genre of music that's ever been released to the entire world, the only genre that's ever stood out to you is the one where old men sit behind a piano and twinkle the keys to their hearts content?" Spencer's releasing another one of those quiet laughs, this one is clearly full of exasperation though.

"I think they're doing a little bit more than twinkling keys." he corrects you, and you know that. You'd only said it to get under his skin just a little, he was fun to mess with. "Classical music is one of the only genres that seemingly does so little and is able to express the full spectrum of human emotion and life experience." he explains, and you fight your smile, leaning in just a bit more to show you were focused. You weren't sure what was happening or if anything was really happening at all, and it was all in your mind.

But you were finding that you didn't mind just listening to Spencer go on and on about whatever he wanted. You thought a lot about what had happened outside of that court room, how he'd listened to you. Really listened to you, and had never once made you feel like the emotional failure you'd imagined yourself to be. You couldn't say that in the span of a week all of your feelings for Hotch had vanished. That'd be bullshit, because deep down you knew it wasn't that easy.

And sometimes you wished it could be, sometimes you wondered why you had to fall for Hotch when Spencer was right there.

Still, whether or not you were being forced to come to grips with the fact that Hotch was not, and wouldn't ever love you the way you loved him, you couldn't deny that it was nice to have a friend there. Spencer wasn't coming to you with heavy confessions and tear-streaked cheeks begging you to look and see that he was perfect for you, which is why you think you like him even more. You knew a lot of times it was hard, rare even to find someone who would just care for you without expecting anything in return. That was Spence to a T.

"Go on." you instruct, and you find that despite the way you'd baited him into this conversation, it was well worth it. He didn't get a lot of time to just be Spencer, and with no clock over your heads, no rush for time to solve a case, you figured it was the least you could do. Especially after he'd spent the last week trying to show you how much he cared.

"I just mean that in classical music, it's actually very common to have one piece of music encompass an entire host of emotions, experiences, and subject matter." he expresses, and you hum, nodding along. "And it's all because most classical pieces use a similar formula that uses textures, dynamic colors and key modulations to express things certain words can't properly articulate." he proceeds. "That's why certain sounds and notes manage to adduce certain reactions." he seems finished.

"Oh, yeah?" you press and he nods limply, seemingly awaiting the moment you offer some jab regarding his oversharing. "I guess Mozart and Beethoven were really onto something." you mutter, and he snorts. "Still, I'd much rather listen to something a bit more obvious." you admit, not that you had a real problem with Classical Music.

"What do you mean?"

"Well I'm just saying... music's always sort of been the perfect tool for expressing everything you might need to say." you counter. "And while I agree that music in any form does a great job of invoking certain emotions, sometimes you don't want to guess what someone means." you admit, and it's partially (mostly) because you had never been good at reading in between the lines. Things always made the most sense when they were plainly spelled out.

"Or maybe that's just a me thing." you correct. "I've found that I always enjoy things when they're a little more laid out... there's no way to misunderstand when it's spelled out for you, right?" you ask and Spencer's lips curve down into a slight frown. He's not pitying you, mostly just sympathizing with how torn up you must have been about everything. Especially as your eyes instinctively are drawn to the shut doorway of Hotch's office. Spencer thinks that's when reality sets back in and hits him like a brick.

Because he knew something that you didn't. Something that would probably make everything better for you, but would undoubtedly double his heartache. In truth, he, much like everyone else on the team tried their hardest to ignore just how obvious you'd been about your feelings for hotch. spencer more than anyone.

He remembered how things had changed a few months back, how you'd started to move on all for the rug to be pulled from up under your feet. It had been outwardly cruel, undoubtedly. because while everyone else on the team seemed to be just fine with 'don't ask, don't tell', Spencer had been unable to not pay attention to the way Hotch had actually changed too. Did he hate him? Absolutely not... and he knew you didn't either, because despite how idiotic the plan was, he hadn't done much besides give you more attention.

And Spencer guessed the act of giving you more attention had unsurprisingly ended with Aaron Hotchner realizing it was something he actually enjoyed. Hence the sudden change their boss underwent.

He supposed that was the worst part about it all, the fact that everyone had the right to tell you that "nothing had happened", and there was nothing you could do about it. Because in the grand scheme of things nothing really had happened. Hotch was no heartless womanizer, Spencer couldn't even imagine the man flirting with anyone, let alone stringing someone along for kicks. Still, that didn't change the fact that you'd gotten your hopes up, and now you were back to your own harsh reality.

Not because it wasn't a real possibility, more so because Hotch was self destructive, and sabotaged himself and his happiness at every turn. Spencer wants to stay quiet, to bask in the fact that you were slowly on your own terms getting over Hotch, and paying more attention to him, but he can't do that. He'd hate it if someone did it to him. So instead he decides to throw you a bone, push you in the right direction. "Why haven't you just talked to him?" it's not what he had meant to say. He had meant to play the role of the supportive friend.

He'd wanted to pat you on the back, mumble some agreeance that would validate how you were feeling, and possibly give him cool points. Instead, here he was about to push you in the direction of someone else. He supposed that's how stupid love made you.

"What?" you exclaim, and Spencer doesn't know what's so exasperating about his question. It was obvious that you needed to, it wasn't fair that you were slowly deteriorating on the inside whilst trying to maintain some semblance of being a "team player". He said 'screw the team' if it wasn't genuine. And clearly, from the way you'd still been icing out JJ and Emily, it wasn't. Not fully anyway. He'd never rush you to get over it, mostly because it'd make him a hypocrite. He still cringes at the thought of the tears he'd shed to JJ.

But, that was his own problem.

"Hotch." he lowers his voice a little, because it's just now hitting him that the two of you have been slacking off for a while now. Emily wasn't exactly focused in on the both of you anymore, but every so often, he'd find that she still look up every few moments. JJ, Derek, and Rossi had made a habit of leaving their respective offices, eyes glued to what was apparently becoming unit news. "You should talk to him." he says simply as your eyes cross dramatically.

"What's there to talk about?" you ask suddenly distracted by a smudge on the corner of your desk.

"What happened." he says simply. "I mean, don't you think there might be some explanation you might be missing?" Spencer tries, and you curl into yourself just a little bit.

"It's still work hours and he's still Hotch." you deny, and Spencer's lips push to the side, an obvious sign of his slight discomfort about what he was going to say next. "He's not going to want to talk about it." you admit. "And what exactly do you say in a conversation like that? Oh by the way boss, I was in love with you, and it kinda felt like maybe you felt the same, except oh wait, it was just a ploy to keep me from realizing you were lying about Emily being alive?" you say sarcastically. Spencer huffs in retaliation.

"Yes actually, you could say exactly that. Maybe you'll learn something you didn't know before." he deadpans, and your nose curls. You cut your eyes over at the man, who's not amused.

"I kinda thought you'd be the last person pushing for this sort of confrontation, you know?' you admit before you can really help yourself. You watch as Spencer's face seems to set into one of surprise, his cheeks and neck slowly gaining a red sort of tint to them.

"What do you mean?" he questions, and your mouth parts just slightly. And you think the same way he's been gentle with you is the exact same way you need to be gentle with him, so you pivot, head shaking from side to side.

"Nothing." you say firmly. "Forget about it." you say quietly, and then you're looking back at your paperwork. Spencer, embarrassed finds himself fiddling with his fingers, trying to scold his heartbeat back into submission. It suddenly felt way too cramped sitting at your desk.

"You should go after work." he says, and your eyes snap back to him. "Talk to Hotch after work, I mean." he says and your stomach feels a bit tight. "I think it'll be best." he proceeds, and you frown.

"You do?" you question, and you try not to sound despondent.

"Y-Yeah, I do." he agrees despite his stutter. "Things like this don't go away on their own, you know?" and you chew on the inside of your lip, and feel that gloom cloud from earlier making its way back.

"I thought we were supposed to be hanging out today, Spencer." you start and he blinks owlishly, long lashes nearly caressing the tops of his cheekbones.

"We could always raincheck." he says, and you stare at him just a bit blankly. "It's not like it was a date or anything. They were just plans..." he adds, and your teeth chomp down on your bottom lip. He doesn't really know how to read the look on your face, but he knows that he feels like he's being noble.

"Just plans." you shrug your shoulders dismissively. "Right." and then you pick up your pen. "Well if that's what you want, I guess it's fine by me." you add, body curling into itself as you position yourself away from him.

"Isn't that what you want?" he questions, and you cut your eyes.

"Do you think I'd be sitting here if it was?" you keep your voice level, but your leg is bouncing. You're not quite sure why, maybe because Spencer was being Spencer. You supposed your comment that made it clear that you knew that he had feelings for you had scared him. Now, he was trying to protect himself, but you weren't so hungry for a relationship that you'd string him along for the sole purpose of getting over Hotch. You would've made this call had you figured it out or not, and you supposed the fact he didn't get that was what sucked. "I'm not that pathetic." you add with a quiet scoff.

"It's not about you being pathetic." he denies. "I don't think that about you., I just know that you're in a vulnerable place. You had real feelings for him, and I think it'd be best for you to get it all off your chest correctly, before you start projecting all those leftover feelings to the first person you can." and he doesn't mean it in the way it sounds. In fact the statistics about rebounds would sound a lot worse, but as usual, he's horrible at communicating exactly what he feels.

You blink. Once, twice, three times.

"I can't believe you just said that to me." you say, and you're abruptly standing up, mostly because you're about to cry like the fucking baby you were. Spencer's certain this is a new record for how quickly things could go left just because he couldn't shut the hell up. What he'd been trying to convey was that after a rejection, it was much easier to mistake platonic feelings for romantic ones. He had been a consistent shoulder for you to lean on since everything went south.

He didn't want you to think that he was being nice to you only because he had feelings for you, and convince yourself that you felt the same all because you refused to fully shut the door with Hotch. But he'd never actually meant to make it seem like you'd be so desperate, and especially not with him. "Y/N, wait. That's not what I meant-" except you're already leaving, taking in the shaky breath that told him he'd stupidly made you cry.

"L/N?" Emily's calling as you pass her, but you don't respond to her either. Instead you're rushing off in the direction of the bathroom, likely to calm yourself down. Emily's eyes are immediately snapping over to Spencer, and her eyebrows are furrowed. He instinctively looks away, internally cursing himself out.

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"Y/N/N?" you're surprised to hear JJ entering the bathroom, and you're hurriedly moving to splash at your face with water to keep it from looking so puffy. Still, JJ was as perceptive as she was pushy, so it's clear she's already put it together that you're crying. "Hey, is everything alright?" she takes on that motherly tone she uses with Henry, and the rest of the team when they're feeling down.

"I'm fine." you insist, and she doesn't look convinced. She takes a tentative step towards you, standing beside the sink you were occupying. "Seriously JJ, please just leave me alone." you partially beg.

"I know you're upset with me, but you're still my friend." she reminds you. "I'm not going to leave you in here when it's clear you're upset." she exclaims. "So you can talk to me or not, but I'm not going anywhere." she deadpans, and you sniffle, rubbing harshly at your cheeks. They're sensitive to the action, blood rushing to your face.

"You're so annoying." you mumble, but there's no bite. It makes JJ snicker, and it's a step in the right direction you're sure.

"It's my job." she retorts with a shrug, and she leans her back against the sink beside you, legs crossing slightly. "Is everything okay?" she tries again, much more gently as you frown. No, everything was not okay. You hadn't actually expected to be sitting here crying over Spencer's remark, but you supposed that the fact he believed you'd ever use him as a rebound had kind of hurt. You supposed it also didn't help that he'd so callously canceled your plans.

You'd actually started to look forward to hanging out with him.

"Do you think I'm desperate?" you question haughtily, and JJ's eyes widen, surprise overtaking her features as she turns to you fully.

"Of course not." she denies firmly, blonde ponytail bobbing with all her intense animation. "What would make you think that?" she pries, and you cut your eyes just slightly.

"You guys could have trusted me with the truth." you counter, and she falls silent. "And even if you couldn't there were so many other ways to keep me from finding out about Emily. Ways that didn't involve making me look like an idiot to the rest of the team." you mumble crossly, and you blink enough that you feel like your lashes are crumpling into your cornea. it forces you to drag a hand over them roughly, rubbing harshly at your eyes until the sensation left.

"That wasn't what we were trying to do." JJ tries, and it doesn't really matter what exactly she was trying to do. What mattered was what had happened. "You know that." she adds, and you think she's trying to appeal to the part of you that knew the type of people she and Hotch were. The ones that had proven their loyalty to the team for years and years. "Is this about Hotch?" she says and you wince because the problem wasn't that simple.

And you didn't understand why everyone seemed to think so.

You weren't some girl that couldn't handle rejection, what bothered you the most was that Hotch and JJ had felt like they couldn't trust you, and it bothered you that Hotch had felt like he had to play along to some stupid fantasy to ensure you'd play your role. And it especially bothered you that you'd mourned your friend Emily and everything you thought you knew about her, and all anyone could focus on was the fact that you liked Hotch and he didn't like you back. As if your entire world stopped all because of it.

"No, it's not about Hotch." you deadpan. "I wish you guys would just stop being so casual about it." you add on as JJ's mouth parts.

"Y/N... it's not really something that you'd ever really been subtle about. Everyone knows." and she's still trying to be gentle, despite the fact that the words still managed to slice at you.

"So that makes what you guys did, okay?" you shoot back. "Is that really the hill you want to die on?" and you're growing crosser. "This isn't about not being liked back by a guy, this is about me believing that the people I spend most of my days with have my back. How are we supposed to be a team when I can't trust you?" you press. "Because you never would have done that to Spence." you add, and JJ blinks, mostly because she doesn't know how to counter that.

"You didn't have to do it to Derek or Rossi or Penelope either." you remind her. "So what was it about me, about this that made your only course of action rubbing salt in a wound that I was doing a damn good job of healing all on my own?"

"I-I don't know." she admits, and you suppose it was an answer.

"Yeah, well I don't know if I have the patience to wait around for you all to figure that out." you mumble.

"What are you saying?" and JJ's blinking a bit more, eyes misty but not quite showing any signs of shed tears.

"I'm saying that before I didn't know if I wanted to stay here anymore. I love my job, but I don't love how it makes me feel now." you say plainly. "When Elle got like that and ignored her gut it got someone shot." you say, and it sounds melodramatic, but it doesn't feel that way at all. JJ gasps, though it's faint. "I just don't want to wait around for that to happen to me." and you inhale sharply, shuddered breath wracking through you as JJ stares at you clearly gobsmacked.

"But-" and she can't quite grasp the words. "You can't just leave." she exclaims, and it sounds like she's pleading. "Look-" and she's starting to sound just a little desperate. "Look we never wanted to hurt you, okay? And-and none of us..." and she stops to make sure she's staring you directly in your eyes. "None of us want to lose you, Y/N." she insists. "I-" and she's shaking her head again. "Please don't do this." and she sounds the same way Spencer did when he said it. Your nose twitches, "We just got the team back together." she mutters.

"JJ, that's not fair." you huff at her, and she's not really trying to be fair. She just doesn't want you to leave.

"I'm so sorry that we hurt you." and while most apologies that start that way are usually rife with deceit, JJ sounds more sincere than she probably ever has before. "And I'm sorry if it feels a little flat, especially with you already having a foot out the door." she sighs, "It wasn't okay, but-but I know how Hotch feels about you. How the entire team feels about you." she reiterates. "We can't do this without you, we can't." she emphasizes sternly. "And maybe that's selfish to bring up, but we all care so much about you." she promises.

You want to cut her off, but she doesn't give you the chance.

Classic JJ.

"Do whatever you need to! Take as much time away as you need, hate us forever if you have to, but please don't- don't walk away from what you do here." she exhales shakily. "And-and for the record, whether it helps or not... we didn't sit around discussing your... feelings for Hotch." she tells you quietly. "It wasn't some master plan that we composed, and-and I don't know... it couldn't have all been fake." she whispers, and you wonder why she's changing her tune, because just last week she was telling you that 'it wasn't real'

"JJ-" you finally manage and she's shaking her head.

"I'm serious." she insists, and your nose crinkles up again.

"Stop." you deadpan. "You're being really mean." you huff, and you begin to click at your nails just slightly. JJ thinks you're a little bit exasperating. Too stubborn for your own good, but she wont push.

"Could you just listen for one second?" she exclaims, and you're pouting as she grows more overwhelmed at it all. "I wouldn't lie to you about this." she insists, and you wonder why she, and Spencer have taken this sort of stance with you. It should make you hopeful, right? Oh, there was some chance that Hotch felt the same way as you. Except you can't be happy about it, because he's not the one that was sitting here telling you this. It was JJ.

What had you told Spencer earlier? 'There's no way to misunderstand when it's spelled out for you, right', and emotionally exhausted or not, you meant it. Which meant you refused to do the work for him. If he couldn't say it, if he couldn't admit it, than it was as if it wasn't true at all. Which is why you exhale, blinking away whatever bleariness tried to keep itself latched to your eyes. "I love you for trying so hard, but I'd rather you didn't." you instruct sternly.

JJ inhales deeply, audibly expelling the breath from her nose. "That's what you're missing, Y/N." she begins, and she reaches out, hand cupping your shoulder. "I'm not trying to do anything. Everything I've said today I meant. You're important, and you're a lot to lose." she admits. "If you're going to leave, leave because you hate the job, do it because you don't feel fulfilled any longer. But don't let this be what makes you throw in the towel, Y/N." she says and you huff again.

You were doing a lot of that today. "We'll make up for it." she begins, and then she sighs. "I'll make up for it, however long it takes." and you think her pivot from sharing the blame to taking it all for herself makes you feel a little less like you were being ganged up on. She was no longer the spokesperson for everyone involved, and was back to just being JJ, your friend JJ. "Please?" she tries again, and it's not like her to beg, which tells you all you need to know about how serious she was.

"We should get back to work." you mumble, and it's not quite the answer she's expecting, but at the very least it was a promise that you both still had until the end of the day at the very least. She doesn't have the strength to fight her smile, arms looping around you in a move that's much too invasive for your still sour mood, but you don't slight her for it. You instead let her hug you, because obviously it meant a lot more to her than you knew. She'd missed you.

"Alright, alright. That's enough." you tease, moving to lightly push the blonde off of you as she exhales.

"Can you blame me? I thought you were gonna hate me forever." she admits honestly, and you crinkle your nose.

"Guess I'm softer than I thought." you reply, and she waves you off at the remark. Still, despite this slight turn in the direction of your relationship with JJ, you still couldn't feel all that settled. But, you know hiding out in the restroom was by no means the best choice. So when JJ moves to leave, you tail her, surprised when on the other side is a nearly pacing Reid.

"Spence?" JJ exclaims in surprise, the tawny haired man turns to you both. He's immediately looking past JJ to take you in. JJ follows hos gaze and whistles under her breath, deciding that her job was done. She offers you a hopeful sort of look before she continues on towards her desk, leaving you and Spencer mostly alone.

"Are you okay?" he asks, and you're subjectively alright, for the moment. You're better than you were, but not as good as you could be. You're not anywhere near where or who you were before, but you suppose after what the team endured there wasn't much that could be done about that last bit. "I'm so sorry." he's exclaiming, and of course, he means it. He always means it. "I didn't mean to-" and he doesn't really know how to articulate all his thoughts correctly.

He's good with words, knows facts and statistics and data, knows what runs through his mind when he thinks about you, and knows what he wants to say. It's when he opens his mouth that things go awry, because despite all his grand attempts, he always manages to screw up when it came to expressing the emotional side of things. His pep talks sometimes fell flat, and a lot of times he missed the mark when it came to cheering someone up. But, he'd never wanted to be a person who hurt you, so he needed to fix it.

Even if it ruined everything forever.

"I wasn't trying to insinuate that you'd-" and he motions between the both of you. "I don't think that you see me as a rebound." he finally vocalizes. "That would mean you'd have to see me in a potentially romantic way." Spencer's voice is as steady as it often was when he was giving a geographical profile or helping to relay some form of fact or evidence during a case. Which said a lot about his intentions, and how serious he was about you not misunderstanding him.

"I was merely trying to note that a lot of times in circumstances where we're faced rejection from someone we hold to a high regard, it's really easy to misinterpret our own feelings and latch onto people before we really mean to." he expresses, and your chewing on the inside of your cheek, albeit subtly. "For example, because you've established me as someone who you can trust during this time, it'd be really easy for you to misinterpret what you think you feel for me." he says, and your eyebrows furrow inwardly.

"How could I possibly do that? They're my own feelings." you retort.

"Because, the first thing people do after a breakup, is they seek validation, or a new way to boost their esteem and self worth." he doesn't quite lecture, but it's clear he's intent on your knowing all of this. "And that doesn't necessarily mean that you're vying for me as a potential person to bounce back with, but a lot of times when you don't process the end of a previous emotional bond, your view of the entire new dynamic can be warped." he proceeds, and you're still not really understanding his point, instead you're feeling more silly.

"What are you saying, Spencer?" you question quietly.

"All I'm trying to explain is that I don't want you to tell me that you want to go out and listen to me promenade facts unless it's what you really want to do." he says, "I don't want you to feel like you're obligated to play along, because you think we're in the same boat... where we- we love someone that we can't have?" he presses, and he winces once it's out, you think you may have started holding your breath. "Does that make sense to you?"

You nod your head limply, and you take in his words. You find that your little hunch about your dear Spencer was correct. You also note that it doesn't quite scare you the way you'd initially believed it would. "Spence, I wouldn't do that to you." you remind him, and he nods too.

"I know that." he promises. "At least not consciously, but our minds can play tricks on us. You could think that this is what's best, moving on... forgetting about- about everything that happened." he presses, and your lips form into a thin line. "And then wake up in three weeks and remember why you fell in love with Hotch to begin with."

"Or-" and his eyes widen.

"Or?"

"Or...I could choose to stop waiting around for someone to not be afraid to love me." you counter. "I could- I could choose to hang out with my friend, Spencer and be okay with whatever happens after that. I could- We could do that. And it could be okay." you purse your lips. "Because, it's what I want to do. Nobody's entitled to my feelings but me, and you know what that means, Spencer? It means that if you think that you might love me, you need to be okay with that." he looks a bit startled that you're saying it so bluntly, but stays quiet.

"And you need to know that sometimes your statistics are gonna be wrong, and sometimes the guy that's too scared to admit how they feel doesn't get the girl." it's a shock, you can't say that you've fallen out of love in a day, you can't say that you've fallen in love in a day. But you do know that Spencer Reid managed to invoke a hope inside of you that you hadn't managed to feel in a long time. He made you girlishly giddy, and you liked talking to him, you liked listening to him, you liked the way it felt when you'd made plans together.

And maybe there was no such thing as a happily ever after where everyone gets who they want, maybe in three weeks you would wake up and find that you and Spencer were better off as friends, but you weren't going to hold up your life in the hopes that maybe someday Aaron Hotchner would wake up and decide he was finally ready to love you out loud. Not when there was a chance to take your own life, your own emotions by the balls and do with them what you wanted.

"He doesn't?" Spencer asks, and you're not quite sure you can place what emotions are resting on his face and in his eyes.

"We can find out." you offer, and it's not some heady and heavy declaration of unyielding devotion, but wasn't that sort of how every relationship started? With some decision to take a chance. Maybe, you didn't really know. "There's this music store I've been dying to check out." you say, and for the second time that day Spencer seems to brighten right in front of your eyes. "It's sort of right on the strip, if you don't mind going with me... there's a lot we could do…" and the small change is almost everything. It's scary, causes a pit in your gut.

Still, it's a nicer feeling than uncertainty and the hollowness left behind by idleness. "Are you in?" you ask, and Spencer is already nodding his head, smile reaching his eyes as his pretty teeth reveal themselves to you, eyes twinkling in a way that's very very beautiful.

"Yes." he agrees with a simple nod. "I would-" and you think it's cute the way his smile refuses to leave, and sweet the way he's suddenly grown nervous all over again. "I'd like that-" and his voice cracks, and earns him a laugh, your own demeanor seeming to change as your excitement starts to brew in the depths of your chest.

"Good." you beam.

"Good." he repeats, and there's a small moment, a flicker where you're certain you both look nervous, frightful of what came next. But it only lasts a second, because you're both suddenly being called by Derek, a resounding 'Pretty Boy, Pretty Girl' forcing you out of your bubble and back into the fray. With another shared smile you find yourselves in step, making your way back towards the heart of the bullpen where the rest of the team is huddled. It's rare when work is so light, but you know as well as everyone else, you'll all take advantage of it.

When Penelope smiles at you, you smile back, and it's real.

When JJ plants herself on top of your desk, the two of you actually laugh, spilling secrets and trading gossip like nothing's ever changed.

When Rossi calls you Piccola, you relax even more into the familiarity of being surrounded by your teammates.

When Derek slings an arm around your shoulder and plants a kiss to the top of your head, you remember why you loved your job.

When Emily calls your name and waves you and JJ over to the group, you oblige, meeting Emily's eyes with no mirth left behind. When she calls you by your nickname, you feel that familiar swarm of familial adoration filling your chest, and recognize that things with her would be okay. You find that in the grand scheme she is still your Emily.

When you find yourself standing next to your boss, his usually stern and stoic persona shed in the presence of the team he considered family, you hardly bat an eye. When he smiles at a joke you make, you're pleased, but the anxiety, the panic that tormented you is all gone. The butterflies are too, replaced with the respect you remember.

And when you find yourself looking across the circle and meet the pretty brown eyes of one Spencer Reid, you feel it when your heart tremors, just a little bit.

And you think, in the end, you made the right decision.

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syzthefrizz · 5 months ago

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Tips for writing dream sequences (from someone who has really vivid, weird dreams on a frequent basis)

My biggest pet peeve with fictional dream sequences is that they make too much sense!! They're too relevant! There's not enough random crazy stuff! That's not always unrealistic per se, but you are missing out on some of the fun ways you can reveal information about your character's mindset, fears, struggles, and future.

Most of my dreams have a goal or objective driving the plot, and it's usually urgent. Ex. "escape the huge storm on the horizon", "find a place to sleep for the night in an unfamiliar town", "find a bathroom". This is especially true of stress dreams.

Everything going on in the dream makes perfect sense to you during the dream. It doesn't feel like reality per se, but you think it is. You're living in a house full of vampires that could eat you at any moment? Seems legit.

Emotions and situations from the dreamer's life can/will find their way into dreams, with varying levels of subtlety. The dream could be about the stressful event itself, or it could be some sort of exaggerated metaphor. Ex. I was worried about whether I was a competent CS major while I was still trying to find a summer job/internship, and I was worried about what my professors must think of me. Such a good student on paper, still without summer plans. I dreamed that I ran into my professors all having lunch together at a restaurant (during a dream with a completely different storyline), and I was wearing my pajamas. They judged me.

Certain things are very hard to do in dreams. This could vary from person to person. For me, it's always driving (the brakes never work right), flying (I can't stay off the ground for very long), and running (it's like trying to run through waist-deep water).

People with PTSD may dream about the traumatic event happening differently than it actually happened. (Take this one with a grain of salt - I don't suffer from PTSD, I just research it sometimes so my blorbos can suffer accurately).

You can have a string of loosely connected or disconnected dream sequences back to back, each with an entirely different plot, setting, etc.

People can have reoccurring themes or plotlines in their dreams, which are often connected to their lives/psyche somehow. I frequently dream about running away from tornadoes and being in situations where there's some catastrophe coming but I'm the only one who understands that there's a problem and nobody will listen to me.

It's common for me to have a dream setting that I KNOW is someplace I'm familiar with, but it doesn't actually look like that place at all. Ex. "I dreamed that we were at my house, but it didn't look like my house..."

Dreams can end in cliffhangers. Sometimes I wake up right before I'm about to eat something delicious.

Sometimes people have dreams about doing things that they would never, ever do in real life, and they wake up feeling disgusted. This is Not a manifestation of their secret desires (*glares at Freud*).

Images are the most memorable parts of dreams. I forget the specific plot points, but I can still picture dozens of liminal spaces my brain has created, even years after I dreamed about it.

Dreams will fade from memory very quickly unless the dream had a strong impression on you, you write details about it down or you tell someone about it before you forget.

If you realize you're dreaming during your dream, sometimes you can control the dream going forward. This is called lucid dreaming. I've done it accidentally a couple times, and it's really hard to "hold on" to the dream and control it. I usually wake up soon after starting. With practice, you can get better at it.

Sometimes a normal/good dream can turn into a nightmare, and vice versa. Most of my dreams aren't really good or bad, they're something in between.

Your subconscious brain is CRAZY intuitive. We can argue over the existence of prophetic dreams (I've heard so many crazy stories), but at the end of the day, your subconscious brain knows things that you don't consciously know. If your character is in love with someone, their subconscious brain will know even if the character doesn't. Relationship problems? Deepest darkest fears and insecurities? Your brain knows. A dream predicted the downfall of my first relationship eight months before it happened, down to the reason why we failed. You can absolutely foreshadow this way. A character might subconsciously know what the consequences of their or other people's actions will be, understand things about the situation they're in, know things about the people they're interacting with, and more, despite their conscious realizations.

There are plenty of ways to make a dream sequence relevant to your story, but don't forget to add in some fun, random details. Character A is secretly in love with Character B? Have Character A dream about Character B confessing feelings to them while in a Vine Nostalgia themed restaurant over a plate of mac-n-cheese. The details are the fun part, and you can get as weird as you want. I once ran into my aunt in a dream, and she was wearing a backpack with a bunch of (fake?) hands sticking out of it, making a fan that rose above her back behind her head like some sort of peacock feather costume piece. I was so freaked out that I woke up. I dare you to get weirder than that.

Not everyone's brain works the same way. I have vivid, random, detailed, memorable dreams on a frequent basis. When I describe them to people they often ask "what were you on?". My roommate only remembers her dreams when they're nightmares. I have some friends who say they don't dream. Other friends have really boring, mundane dreams about their normal lives. Some people have weird dreams but only once in a blue moon. It's a good idea to decide off the bat what kinds of dreams your character has, and how often they remember them.

That's it for now, but I might make a part two if I think of more things to add. Feel free to reblog with your own personal dream expertise!

#writeblr #writing advice #creative writing #dreams #weird dreams #writing tips #writers on tumblr

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evagreen-stories · 5 months ago

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Mother’s madness | (Aemond x f!lowborn!reader) (2/?)

Summary: Aemond, troubled by his unfruitful marriage and the stress of the war, takes himself a bedslave when he seizes Harrenhal and gets more attached to her than he ever thought possible. Bringing her to the Red Keep after he needs to leave Harrenhal would not go as he hoped it would, especially after the birth of the babes he sired onto her.

Warnings: mentions of violence, light angst (kinda?), canon typical misogyny, canon typical behaviour, dark!aemond, abusive!aemond, forced relationship, forced impregnantion, canon typical classicism, mentions of assault, stockholm syndrom (kind of), obsessive!aemond, non-canon storyline

Divider @targaryen-dynasty

< part 1 masterlist part 3 >

When Aemond finally arrived back in the Red Keep he paid the staff and advisors waiting for him at the entrance little mind, waving them off dismissively before making his way towards his precious bedslaves chamber.

He knew you must've given birth by now and he could not wait a moment longer to find out what happened and how you're faring.

Approaching your chamber with a quick step he took note of the unusual sight of the guard standing opposite of the door, not in front of it as usual, though he did not inquire about it. Instead, his hand fell onto the door handle and he pushed down on it, wanting to make his entrance but instead walking into the wooden door, his forehead connecting to it with a thud.

Stunned, he's standing in front of it for a few moments, blankly staring at the dark wood before starting to slowly press down and rattle on the door handle yet again.

Nothing. It's not budging. Why on earth is this door locked? A sense of panic washed over him as he keeps rattling the door, all worst case scenarios he could think of filling his head at once.

With hurried steps a maester approached. He had waited at the entrance for him with the others, wanting to inform him about your peculiar behaviour, but struggling to keep up with the younger man's hurried step when he had brushed past him.

“Wait, my prince!” He finally catches up to Aemond as he stands rattling your door with a confused and frustrated expression.

“What do you want?” He snaps, his voice bitter and sharp. “Why is her door locked? Where is the key?”

“My prince, I need to talk to you about her. It would be best if we go somewhere quiet.” The maester answers, still out of breath.

Aemond felt a chill run down his spine, this could not be good. “Just tell me now. What has happened to her?” His voice was curt, the way it always was when he’s worried. He wanted to know now, not have it dragged out any longer.

“I believe it's best we discuss this in your chambers, my prince.”

He gave the maester a look, his fist clenching at his side as his frustration started to grow into anger. “My chambers then.” He gruntled dismayed before turning and walking towards them. The pair soon arrived and Aemond quickly shut the door behind them.

“Just tell me. What's wrong with her? What has happened to my y/n?”

“My prince, I'm afraid she has developed some sort of hysteria.” The maester says and sighs, sitting down on a nearby chair. “The birth went well for a twin birth, both babes healthy. She seemed normal the first few days but had soon grown paranoid, not letting any of us handle the babes anymore. She has taken to locking herself into her room at all times.”

“And you have allowed this?” Aemond barks. “You've allowed my y/n to go into hysterics? Did she take any medicine you gave her? Are the babes well?” His tone was accusing, as though this had been completely this maesters fault.

The idea of his precious bed slave going hysterical all alone in her chambers was deeply unsettling to him.

The old man shakes his head. “She allowed treatment of her body after the birth but never took any of the medicine we tried to give her. She only drinks water and tea, but tea only if the it is served dry and she can brew it herself. I assume it's to inspect the leaves. She insists no guards stand in front of the door, seemingly concerned they will grab her. As for the babes, the last time I saw them when I went in to plead with her, they both looked well. Grown plumb over the weeks she seems to be giving enough milk for the two. She washes and changes them herself. She… She eats and cleans herself too, though she does not look well.”

“How long has it been like this? How long has she kept herself locked away?” He asks angrily. He had been away for months, yes, but she never showed any such behaviour herself. Never once did she show the slightest signs of madness or hysteria before. He cursed the war as his frustration and worry grows in him.

He should've stayed. He never should have left her alone.

“She seemed to be growing agitated almost immediately after the birth and soon took to locking herself in at night. We were still allowed to handle the babes then but she would always stand right behind us and never leaving them out her sight. A fortnight or so later she started keeping the door locked at all times and denied anyone to touch them.”

“She is denying anyone to touch them? This is madness!” An anxious knot forms in his stomach as he realises the extent this had reached. “Have any servants been in her room at all?”

“She opens the door for servants when they bring food or come to clean her room or run a bath. However, when she does let anyone into her room, she will have both babes tied to her chest and stand in a far back corner away from them while they work.”

“She is keeping them bound to her chest? Does she know that they can't spend their whole life glued to her body?” Aemonds mind was reeling at this point. He knew she was simple-minded and uneducated but a child, she was not. She knew better, that he was sure of.

Something else must be going on, some reason for her madness…

As his mind keeps reeling the maester speaks up. “I'm afraid she is unfit to raise these babes, my prince. I recommend they be taken from her.” He states matter of factly.

“No.” Aemond states firmly and quickly. This was a suggestion he hadn't expected at all. This man wants to take these infants from their mother and sees no issue with it? That was a cruelty even he wouldn't commit.

“She has only just given birth. You will not take the babes from their mother, especially not when she's proven herself capable to care for them despite going mad. I will deal with this when I have the time. For now just let her be and don't try to touch my children anymore. Is that clear?”

The maester shakes his head, his voice increasingly firm. “My prince, i don't think this is right. She needs to be separated from them. There is another thing you should know… they are both boys.Your only sons so far, my prince. You cannot allow them in the grasps of a mad woman.”

For the first time in this conversation he seemed lost for words. The news of the babes being boys shook him to the core. It was a dream come true, of course, though he was so focused on the prospect of having any children strong enough to survive he had forbidden himself to hope for even one son, let alone two.

His only sons - his legacy, his blood.

What his wife had failed to provide him within four years of marriage, his bed slave had given him without issue.

The thought of her now gone mad and denying him access to them was outrageous, yet the maesters' continued attempt to separate them was even more infuriating to him.

She was a mere bed slave to him, flesh to make him happy whenever the mood took him, or so he thought.

Knowing she was the mother of his only sons stirred both happiness and concern in him. Mad or not, she was his. His to use as he see fit, but also his to protect and care for. His responsibility, she and their sons.

His sons.

His hands clenched at his sides as he approached the older man with quick steps. “You dare defy my orders?” He grabbed the sleeve of his robe and pulled him up to his feet, dragging him out of the room. “She does as I say and so do you. She will care for these children as she would if she were in her right mind, regardless how long it will take her to recover. I will see her right away.”

The older man struggles to keep up with him, continuously protesting and objecting to his decision, urging him to take his sons away from her for their own protection.

With each of his words Aemonds rage grows in him.

Could he not shut up? He said himself that the babes are fine. What's the urgency to take them away?

He finally reaches her chamber. “Open the bloody door.” He barks after knocking several times. Trying hard to push his anger back and not snap at her the second this door opens

You flinch when you hear the loud bangs and his shouts outside the door. Frozen in both fear and excitement it takes a few moments before you rush to put down the book you were reading and hurry to the door, one hand on the babes backs as they snuggle to your chest in the fabric tied around your body, the other hand on the wooden door as you lean against it, trying to hear the voice better and convince yourself it was really him.

“Aemond? Is that you?”

He breathes a sigh of relief when he hears your voice, a faint smile tugging at his lips at the sound of it. It had always been music to his ears, a balm to his otherwise frantic mind.

“Open the door, y/n.” His voice remains firm. He would not have you play games with him right now, despite his happiness of being reunited with you.

You unlock the door and open it slowly, peeking outside. When you see him, a wave of relief washes over you.

He was the only one able to save you, you were certain.

The feeling of relief vanishes when you take note of the maester standing not far behind him.

“Not him.” You demand in a shaky voice, staring at the old man and ignoring Aemond completely.

When he sees you for the first time after so long, his heart flutters. You looked awful, yes, dark circles around your eyes, your face pale and sunken, hair dull and tangled. You looked drained, both your body and mind.

The maester tries to interject and walks closer but is immediately stopped and waved off by Aemond.

“No, not him. Just me.” he assures you, his tone now softened by your appearance and apparent fear. He steps inside when you make way for him, watching as you hastily close and lock the door once again.

When you turn around to face him you see him watching you already, analysing you in great detail. His gaze stops on your chest, trying to catch a glimpse of the tiny babes hidden beneath the fabric.

“You… you're back.” You say after long moments of silence.

“Yes, I'm back. Are they well?” Is the first thing on his mind. He steps closer to you. He wants his sons, yes, but he also wants you. Desperately.

You flinch and step back when he approaches, both hand wrapped protectively around your chest and the babes. Your voice is shaky and eyes glazed over as if you will cry any moment.

“Yes, they are. What did they tell you?”

The sound of your voice, the tremble when you answer him, it's enough to make his heart clench with worry. His hands itch with the urge to reach out and hold you, but he holds back, not wanting to scare you off again.

“They said you aren't well. That you lock yourself in this room at all times.That you haven’t allowed anyone to touch the babes. Tell me that is not true.”

“It is. They don't need to. I do it well enough.” You stammer.

“You're keeping them away from them - from MY sons.” He says slowly, his voice carrying more anger and a threat this time. He steps forward and you step back again, a sharp stab of pain fills his chest when he sees you cowering away from him yet again.

“Why? I have the right as their father to be able to touch my sons. I won't let anyone keep them from me, not even you. Y/n, let me see my sons.”

You can feel your breath hitch in your throat, your jaw clenching. Hesitating for several moments, you eventually walk around him with great distance, over to the bed where the two cradles stand.

Undoing the fabric carefully you take Aurelius out first and put him in his bassinet before doing the same with Patroclus. You stand next to them, preparing and folding the fabric for the next use.

Aemond approaches slowly, his eye wide with wonder as his gaze focuses into the small beds and studying the two tiny humans attentively. They're both awake, looking back up at him with wide, curious eyes while sucking their thumbs, both moving in union and mirroring each other's actions as if they were one.

Your own movements are quick and tense, your eyes wide as you watch him approach your sons. He notices it all and feels his heart grow heavy at the sight of you.

He had imagined this moment often, before he left and while he was gone, wondering how it'd be when he finally reunites with you and seesyour shared children for the first time.

Never could he ever have imagined it being this way.

He sighs before turning his attention back to your sons, reaching out towards the nearest one and slowly picking him up.

Your breath hitches at the sight and you clutch the fabric you're still holding onto in your hands, eyeing him like a hawk as he begins to cradle him on his arm. Aemond reaches out to stroke the white fluff on his son's head gently before taking the tiny hand in his.

Aemond seems lost in thought as he gently rocks the babe in his arms, smiling to himself. He's never been a fond or present father but the sight of his son's hand clutching onto his own finger makes him feel a way he hasn't felt before. A sense of pride swells in him as well as many other emotions he cant understand just now.

“What are their names?”

You calm slightly when you see Aemond handle your son so calmly and smile widely.

“You're holding Aurelius, the elder, the younger is Patroclus.”

He hums as he leans over the crib and looks back and forth between the two, trying to tell them apart but failing to find any differences.

“I think Patroclus should be in his fathers arms, too.” He says out loud as he watches the younger move around and wave his arms excitedly.

You nod and put aside the fabric before reaching into the cradle to pick up the younger, helping to carefully place him onto Aemonds other arm.

Aemond smiles down at both of them, rocking them gently from side to side. His sons, his blood, his legacy - so innocent and pure. When his gaze falls onto the fabric you had just put aside he asks you, his voice gentle and soft, “Why do you do that? Tie them to your chest?”

“So they're safe.” You answer quickly. “And they are calmer that way, especially when they're awake. They will fuss otherwise.”

“I see…” He replies carefully, nodding along while his gaze keeps wandering back and forth between the two tiny boys. “And… No one is allowed to touch them? Not even wash them, change them? You want to do it all by yourself?”

“Yes. Aemond-” You begin before stopping yourself and looking around the room nervously. Noticing two open windows you quickly scurry over to close them.

I need to tell him. I need to tell him now.

Aemonds brows furrow in confusion as he watches you hurry away to close the windows. That doesn't seem like a normal mother, he thought to himself. Why is she still acting so strangely? She should be delighted that he was back.

“What? What is it?”

Once all windows are closed you rush back to him, worry and fear etched all over your face as you stand in front of him, your bodies mere inches apart while your trembling hands move to grab his arms. Leaning in over the two tiny babes watching your every move you whisper to him as if someone else were in the room.

“You need to help me, Aemond, please. They… they're trying to steal my sons from me.”

A chill runs down his spine at your words. How in the world did you convince yourself of this? Your fear was real, he could tell that much. Despite being safe in the castle you feared for your sons.

That must be what's driving her into madness.

“No ones trying to steal your sons, y/n. The maesters are just concerned for their well being with you locking them away like this. Y/n, you must-”

“No!” You object. “No, no! Aemond you don't get it!” You're whisper-yelling at him, moving even closer, your eyes brimming with tears as your voice starts to quiver.

“The maesters, they want to steal them! Ever since they saw they are boys they've been scheming to take them from me! They want to steal them and give them to Floris to pass off as hers, I'm sure of it! I've heard them say it!”

Your voice breaks as you start to plead with him. “Please, Aemond, you can't let that happen! I'm begging you!”

She really had lost her mind, He thinks to himself, taking a step back from you with both babes still in his arms. Shocked by how adamant and crazed you seem he can only shake his head and sigh deeply. You really believed this, he could tell.

Just when he starts speaking and wants to call you mad, his voice suddenly dies in his throat and he goes quiet.

His mind wanders back to the maester that stands right outside the door at this very moment. The same one that had been adamant his sons be taken from you. The same one that had dared to defy his order and speak against him of all people several times, trying to stop him from seeing his y/n. Could there be truth to this after all? Maybe she wasn't as mad as he thought she was…

He clears his throat, trying to decide on what to do. He needed to get to the root of all this but not before calming you down.

“No one will take them from you, y/n. I forbid anyone from doing so. I would kill anyone, maester or servant, before I let that happen.”

You look at him, breathing heavily from the distress in your mind, studying his expression and eye in hopes of seeing the truth in it.

Eventually, you swallow dryly and shake your head gently, not believing his words.

“I will not leave that door unlocked, Aemond. I will not let them steal my sons.”

His face falters slightly at your words and behaviour. You seemed mad with the way you acted and spoke but he could tell the madness was fuelled by real fear.

He sighs in defeat, understanding he won't get anywhere with this. Not now, at least. All he can do for now is try and support you within the little space of your mind that has not been clouded by fear.

“I understand you worry for your son's well-being but no one will take them away. I promise you this. I swear it to you. But… you need to let someone in. You need help, y/n. You can't do this all alone. You need to rest more.”

“No, Aemond.” You shake your head again. “I can only sleep when they sleep and that door is locked. Only when I know they can’t pry them from my sleeping body.”

The sound of your trembling voice filled with fear was like a dagger to his heart. You were clearly terrified and exhausted. He had to resolve this, find something, anything to make you stop fearing. You are the mother of his sons. You deserve his protection. As your protector, he must find a way to protect you even from your own mind.

“You will sleep. You will eat. And you will stop doing this. I need you to be healthy. Our sons need you to be healthy.” He begins, his voice firm but gentle.

“I will send all masters away. Not one will be allowed in here unless you allow it. I will have two guards at your door at all times. They will be sworn to me and you. They will not let any maester enter without your permission and they will not take orders from anyone but us two. I will also appoint a handmaid to you. Someone I will select carefully, one that can be trusted. She will also be sworn to you and me only. I will instruct her not to take the boys unless you allow it. But you need to let her in and let her help you, let her take care of you. Will you do that for me? For Aurelius, for Patroclus?”

You stare at him for a long while, mouth opening and closing several times, struggling to make a decision. You had prayed for his safe return and his help daily for weeks on end. Now that he was finally here and trying to help you, you know you should accept it. He was right, after all, but the fears in your mind were too strong to just act like nothing happened.

“Just… just one.” You accept eventually. “Just her. And… and I will still keep that door locked. But I will let her in. Her and you only.”

A small smile forms on Aemonds lips and he sighs in relief. He had won this small battle at least but it couldn't go on forever like this.

He assures you again while he puts the boys back down into their cradles with your help and pulls you into a tight hug despite your protests.

He holds you close to his chest and strokes your back gently as he repeats the same promises over and over again before eventually letting go of you reluctantly.

Bidding you goodbye for now he steps out the door, grumbling dismayed when he hears the door shut and lock as soon as he steps out the door frame.

He turns to leave but the maester that had been waiting all this time wastes no time, following him and speaking to him with the same urgency as before. “See, she is mad! My prince, you must intervene before something happens”

Aemond stops and turns to look at the man, the anger growing in him with every word. He struggles to hold back his accusations, knowing he can't say too much before he gets the chance to investigate further.

“She is not mad, that I can guarantee you. There is nothing wrong with her. You'd do well to start abiding by my orders and leaving her and my sons alone before I have you punished for your insolence.”

Its now the maesters turn to grow angry at the prince, though he pushes his emotions aside so as not to risk losing his head, but he still can't stop his objections. His status as the Court maester was always enough to make the nobles and royals cling to his every word like gospel but this young, green prince was challenging his expertise without second thought.

“No prince should have a madwoman have his only sons in her grasp. She must not be allowed to keep them. Who knows, she may harm them, and then what? She must be placed in confinement before she hurts someone!” He demands, his tone firm and cold.

Aemond snaps at him now, approaching him with a quick step and raising a warning finger to him. There definitely was much more to this situation than he first thought, he was sure of it now.

“She is not mad! There is no way she would harm her children! She will be allowed in her chamber with her sons and with all the rest and care she deserves. Door locked and all. Am I understood?”

The older man needs to stand down eventually, leaving the matter be for now.

He follows the prince along as they wander the long hallways towards the council room, following Aemonds initial summoning of the small council to report all that has happened during his time on the battlefield.

He needs to sit through what feels like hours of discussions with his brother, King Aegon, his mother Alicent and all the other members of the small council before he can finally attempt to make sense of his y/n’s paranoia and fear of the maesters.

< part 1 masterlist part 3 >

#aemond targaryen #aemond x reader #aemond #aemond one eye #possessive aemond #hotd aemond #aemond fanfiction #aemond x y/n #aemond x you #aemond x fem!reader #house of the dragon #hotd #hotd fanfic #prince aemond #dark aemond targaryen #dark aemond x reader #prince aemond targaryen #x reader #y/n

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3hks · 5 months ago

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3hks' Guide to Plot (2024)

Alright guys... Here's a big one! These are MY personal thoughts on how to create and write plot. As time continues, I'm positive that some of these things will change, which is why I included "(2024)" in the title! Let's start with some of the basics and definitions, shall we? Hint: you probably want to see the last tip!

~PLOT STRUCTURE~

For 99.9% of novels, they follow a similar--if not the same plot structure--so let's take a look at them chronologically!

>>> Exposition: The beginning of the story, the starting characters, settings, relationships, and ideas are established. This is meant to give the reader a basic sense of the story.

>>> Inciting Incident (initial conflict): This is what sparks the conflict. The characters themselves may not realize it, but this event ultimately changes the whole course of the plot! (This may not always be before the rising action.)

>>> Rising Action: The GOOD stuff starts here! More introductions, more development, more action! Tension builds as the story continues.

>>> Climax: The climax is NOT equivalent to the conflict. The climax is the most exciting or tensest part of the story. The protagonist often is forced into making a difficult decision, whether it be self-inflicted or by another character's hand.

>>> Falling Action: The climax has ended, and things are coming to an end! The falling action is always shorter than the rising action, because there isn't much to introduce, and the characters are simply rolling through the consequences (good or bad) of their previous actions.

>>> Resolution: This is the end of the story. Many people will tell you to tie all the knots together during this part, but it's ultimately up to you! However, there should be some sort of ending to provide closure, at the very least. The conflict should also be resolved (hence the name).

Let's look at the diagram itself! (I'm using Freytag's pyramid because it's well-known. Thank you Writer's Hive for the image!)

~CONFLICT~

Alright, let's talk about the types of conflict real quick!

Character v.s Character: This is your typical conflict, where there are two opposing characters struggling against each other.

Character v.s Self: This is a less common conflict that takes place within the character's mind. (Examples: Self-doubt, decision making, moral dilemma, etc.)

Character v.s Society: This is a conflict between a character (or even a small group of characters) struggling against a larger, typically oppressive society as a whole.

Character v.s. Nature: Just like in the name, this is a character against a force of nature: a tornado, storm, flood, etc.

Character v.s Supernatural: Simply put, this is just a character struggling against a supernatural force.

While knowing and being able to identify the different conflicts doesn't necessarily help you write, it's important to understand what your character is battling against in order to build the conflict.

~BUILDING THE ARCS~

If you watch a lot of shows or movies, you're probably familiar with the term "arc," which is just another way to say plot or subplot, depending on your story.

When writing plot, you want to have a MAIN or LEADING ARC. This is your character's goal that's usually established at the exposition. However, there is usually more to add so your storyline isn't too one-dimensional. These are more arcs or subplots that simply branch out. In a way, it's meant to slow the plot down and add more content while still advancing the story.

So yeah, subplots are able to assist in slowing down the story but they need to help advance the main arc.

This can be done by simply connecting the two--making sure that both of them are at least relevant to one another.

Here's an example! Let's look at HunterxHunter (Yoshihiro Togashi)

The main character, Gon, has a goal to locate his father. This is what HunterxHunter is mainly about. The leading arc, main plot, etc.

It's incredibly simple and straightforward, but it's not that easy.

Along the way, you see different problems arise, creating more subtle and smaller arcs. For instance, there's the Yorknew arc, the Greed Island arc, and the Chimera Ant arc.

The focus of those arcs aren't necessarily for Gon to find his dad. As a matter of fact, his objective is kind of an afterthought in the presence of these subplots. Still, they are connected to Gon's objective and push the story!

See how modest the main plot is? It does not have to be the world's most complex storyline.

Your protagonist's goal is the leading arc, and things just get in the way of it.

Keep this in mind and it may actually help you design your plot events!

~KEY POINTS~

Character introductions: By the end of the rising action, you want most of your characters to have been introduced. This may vary for some certain scenarios, but logically, most characters are going to be involved in the climax, so they must be introduced beforehand.

Environment: Your character will typically start out with a set view of their society, world, and people. Through your developing plot, there should be some changes in their view. What they believe is true could prove to be false.

Triumphs and losses: Sometimes, your character needs to win, and sometimes, they need to lose. This adds a sense of naturalness (not everyone gets what they want) and aids your character development. There are times when a loss is actually the foundation of the exposition! (Wink-wink, nudge-nudge)

~WHERE TO PLACE "THAT SCENE"~

Here's a pretty big one! As writers, we often have just "that scene" pictured out in our minds--it's absolute perfection and a REAL piece of art.

But where are we going to insert it?

If it's not too important, there are three places I suggest! 1. The exposition, 2. the rising action, 3. the falling action.

If your moment is able to introduce a relationship, character, or setting, the exposition is the way to go. If it can build on the three things I listed AND may have a part in the conflict and/or climax, then rising action it is! If it's somewhere in between and somewhere else, then try falling action!

And it can even be the inciting incident if begins the conflict!

Resolution is also a possibility, but because it's near the end, your scene may have less impact than you want. However, if you're still into that idea, then I suggest placing it at the very end! (You'll just need a lot of patience to get through your whole story just for that part, though lol.)

The most important part is to understand what the moment can contribute to the plot, because then you'll have a much better idea of whether you should place it closer to the climax or further away!

Did this help? Let me know!

Happy writing~

3hks <3

#writing #writeblr #writerscommunity #writing tips #creative writing #writing inspo #writing advice #writing plot #how to write plot #tips for writing plot #advice for writing plot #tips on how to write plot #advice on how to write plot

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whetstonefires · 2 years ago

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So like, I'm pretty darn sure Mo Xuanyu did not actually make a pass at Jin Guangyao.

For several reasons, like for one thing hitting on your own actual brother who is also your boss is genuinely insane behavior, in a way nothing else we know about the guy actually matches, other than his reputation for being crazy which mostly seems to originate from the same point as the sexual harassment allegations. which tracks because even with rampant societal homophobia, that's such a crazy thing to do people would question it if it didn't come paired with the information that he's insane.

Then there's the fact that if that had actually happened, there's basically no way master spin artist jgy would have let it get out, because actually experiencing that would trigger his sense-of-uncleanliness issues so hard.

But what we see is that somehow Everyone Knows that it happened, but also that Jin Guangyao totally didn't tell anyone, because he's too merciful and kind and respectable. It just mysteriously leaked somehow that this private scandal happened.

(Also, to step up a meta level, the gay goth kid who was never quite accepted into his own family and wound up self-destructing was in fact guilty of the homophobic allegations spread by the powerful man who manipulates reputation for personal advantage? This is not the kind of story where that would be true. The thematic dissonance is too much.)

The only way it's believable that mxy made a move on jgy is if jgy spent a long time maneuvering him into it, hinting and deniably flirting and just generally being maximum skeeze, just a huge elaborate incestuous honeypot, just to bait a 'ruined reputation' trap. Which makes no sense at all.

I don't think jgy is necessarily above that kind of creepy grooming behavior but I do think he would hate it, and definitely wouldn't resort to it when sowing rumors would work just as well. and expose him to less risk.

So Mo Xuanyu didn't do it.

So what we've got is that Jin Guangyao systematically obliterated this kid's credibility.

No one would listen to anything he said after being expelled in that sort of context, especially anything against Jin Guangyao, whom he now has obvious motive to smear. This was a preemptive strike against some kind of leak.

It's exactly the kind of thing jgy would do--it targets individual vulnerability, leverages the weak points in Mo Xuanyu's reputation into gaping chasms, in a way that associates jgy with scandal but makes him personally look better. also shows signs of jgy projecting his own issues onto others. The MO fits.

And his motive is easy to construct: Mo Xuanyu had had access to his secrets, such as Wei Wuxian's manuscripts and probably a lot of the other ugly shit. And Jin Guangyao needed him silenced, due to some thing or other, but as with SiSi didn't want to have to kill him.

(A fascinating thing about jgy as a villain is the moments where he yields to sentiment pretty consistently contribute to his destruction.)

But then we come around to: so why didn't Mo Xuanyu sic Wei Wuxian on Jin Guangyao, then?

In cql wwx does have a curse cut for jgy, to keep him in the plot and create an additional open storyline to resolve, since viewers are gonna be denied romantic catharsis, but in cql the homophobia plotline isn't there because all the gay is censored, and mxy allegedly hit on qin su instead. which is less utterly unhinged to do though still big wtf.

In the book, mxy summoned the Yiling Patriarch just to kill the Mos. (Which he didn't even do lmao.)

So I've always been sort of poking at that, like if you're destroying your own soul to get revenge, why spare the person who deliberately ruined your life?

Even if he had done the thing, it was weird! Maybe even weirder; if you're in a headspace where making sexual advances anyone should be able to predict are unwelcome seems like a good idea in the first place, there's a pretty good chance getting punished for them isn't going to make you think you were in the wrong. Otoh there is a zone where he could have done it, gotten the backlash, cleared his head a bit, realized it was fucked up to do, and therefore not held a grudge in that particular direction, but it's still weird. (And also he definitely didn't do the thing.)

But if he was so angry, why was he not angry at Jin Guangyao? Who definitely kicked him out of the Sect, all else aside?

And then I looked at the passage in Jin sect where we swap to Jin Ling's pov and he tells us one of the few first-hand things we hear about Mo Xuanyu: He thought Jin Guangyao was the most amazing person in the whole world. He adored him.

And being betrayed and rejected by him didn't turn that into resentment. Even though he resented the other side of his family enough to want them gratuitously murdered.

So you know what I think happened?

I think Mo Xuanyu thinks it was an honest misunderstanding. That Jin Guangyao, his idol, falsely concluded that his gay little brother was creeping on him based on a misinterpretation of his admiring behavior, and was appropriately revolted. And that Mo Xuanyu doesn't blame him for it. He blames himself.

He went back to his mother's family to rot genuinely feeling like the ruination of his life was his own fault for being creepy. And died like that.

Because of that, to a considerable extent. How can you bend any of your will to saving yourself, to getting out of an abusive situation and seeking a better one, when you don't think you deserve to be saved?

Fucks me up.

#hoc est meum #mdzs #mo xuanyu #meta #internalized homophobia #homophobia #suicide #abuse #gaslighting #the untamed #cql

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nolita-fairytale · 1 year ago

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burn your life down | chef luca x fem!reader | chapter nine

summary: you catch up with an old friend and luca makes you dinner.

warnings: fluff, eventual angst not use of y/n, conversations about divorce, slow burn, baby, second person pov, swearing, danish inaccuracies, very little connection to the storyline of the bear.

word count: 3.3k

listen to: the official 'burn your life down' playlist (songs mentioned in chapter are in this playlist!)

a/n: i've always pictured mathilde & jesper as the chalamet siblings AND astrid is in fact played by rina sawayama i don't make the rules (i do). thank you for all comments, reblogs, and screaming at me because we are all obsessed. seriously, it's an honor and i'm just so excited that you all are just as excited as me. let me know if you'd like to be added or removed from the taglist.

chapter eight | masterlist | chapter ten

You spend your first Sunday afternoon without Luca, for the first time in a few weeks, deep cleaning your home. Between your new relationship and your work at the restaurant, you’d found yourself falling behind on chores. But he’d worked the late shift last night, filling in for a cook who called out, which is how you’d ended up with a night and morning of divine alone time.

With your headphones on, it’s easy to multitask, simultaneously folding clothes while you catch up with your friend, formerly-sister-in-law, over the phone.

“Anyways, work’s kept me so damn busy that I’ve barely had a moment in my own home but… we are all doing quite alright over here,” she explains, after detailing her travels all across Europe.

Being a buyer for Nordstrom UK keeps her on the road, or rather, in the sky, at a frequent rate.

“Well I’m glad you called. It’s good to hear from you. And It’s really good to catch up, Astrid,” you say, smiling to yourself as you finish folding a pile of t-shirts.

“Well, just because you and Joe didn’t work out doesn’t change anything. You’re still my sister,” she replies, with a small laugh. “We’re family, regardless of the fact that he couldn’t keep a good thing around.”

“Astrid! You know it wasn’t like that,” you protest, though you know it’s all in jest.

“I know,” she sighs, and you can practically hear her rolling her eyes from all the way to England. “Selfishly, I’m just feeling a bit contrary about it, is all. But enough about me. How are you? How’s everything at the restaurant?”

“It’s been great. I… can’t believe that I have a restaurant,” you answer as you shake your head in disbelief.

“God, I’ve gotta get out there soon. I haven’t stopped thinking about that lumache from my last visit – what was it – last November? Yeah, it’s been too long,” Astrid recalls lightheartedly.

“Yeah, it really has. Just let me know. You know I’m always up for hosting you,” you agree, hopeful that she’ll come visit soon.

“Besides work, what else’s new? And don’t tell me you’re still just burying yourself in the restaurant because I don’t want to hear it,” she asks, a curious tone in her voice as she segways from work to

“Well um…” you trail off, treading lightly over the delicate subject.

The thing you want to tell her about is Luca, because he is what’s new in your life. His presence in your life is evident – it’s in the pair of sweatpants he tossed in with your laundry that you’re folding now, the spare toothbrush you ‘lent’ him that sits right next to yours, and the way that thinking of him makes your heart race.

You don’t want to lie to her… but you’re also not sure what the etiquette is either.

It’s not like this is included in the divorcee handbook you never got in the first place.

“I’m… sort of seeing someone,” you admit, hesitantly.

“What?!” she gasps, instantly giddy with excitement. “Yeah, we uh…” you hesitate, testing the waters since she seems excited about it. “We’ve been dating for about a month now, maybe.”

“Shut up! That’s mega! How’d you meet? Tell me everything,” she gushes.

“Well, he actually came into the restaurant. Kind of became a regular and uh…” you explain, and she can hear the smile in your voice as you do. “He’s great. You’ll love this story, actually. He’s also a chef – a pastry chef. One night after coming in, he left a box of croissants for my staff and a handwritten note inviting me to come to the restaurant he works at. It was very….”

“Romantic. Wow…” Astrid adds, too excited for you as she listens. “And a bold move. Knows what he wants. I like him already.”

“Yeah, he’s… he’s really incredible. I swear. He has the patience of a saint, especially as I’ve uh… you know, I’ve been trying to figure this whole… dating after you end your marriage kinda thing,” you continue, chuckling in response to the awkwardness of it all.

“We were friends actually, for a while. Just friends, which, I know you’ll yell at me about when you see what he looks like. But I think it was good for us, for me, really – to be friends first.”

“Well, now you have to send me a picture,” she requests, even more intrigued as you fiddle with your phone, pulling up a photo you took of Luca the other day.

You wait a beat. Then another, seeing that the photo has been delivered as Astrid shrieks in your ear.

“Are you fuckin’ kidding me, mate?!” she practically screams.

“I know,” you squeal.

“You are absolutely unbelievable,” she shakes her head, staring at the gorgeous blonde on her screen. “How did you not jump right into bed?!”

“Trust me,” you reply, the room suddenly feeling 5 degrees hotter. “After we agreed to start seeing each other, we didn’t wait very long.”

”Sounds like you have a boyfriend,” Astrid comments smugly, as she waits for your reaction. You have expect yourself to panic, but you don’t as you the words tumble out of your mouth.

“I… it does sound that way, doesn’t it?” you ask her, your voice soft as you reply.

“Absolutely, my darling,” Astrid replies, before changing the subject. “Okay, so how’s the sex?!”

“Astrid!” you protest with a laugh. “Do you really want to-?”

“Of fucking bloody course I do! Now spill!” she demands.

You pause, grinning as your cheeks blush.

“It’s fucking incredible,” you admit, eliciting a giggle from your friend.

“Shit, babe,” she sighs, contently. “I’m happy for you.”

“Thanks,” you say back, because you’re pretty damn happy too. “Astrid, will you keep this between us? It’s just that it’s all still so new and….”

You pause.

“I just don’t want Joe to hear it from anyone but me.”

“Of course,” she replies, compassionately, in deep understanding.

“What else are sisters for?”

-------------------------------

You showed up to Luca’s flat uncertain of what to expect, but then he’d pulled you into his home and kissed you like you’d been on his mind all day – and in his defense, you really had.

“Why don’t you come over Sunday night, then? Let me cook you dinner for a change,” he had suggested as you were figuring out your schedules for the week.

“You sure you’ll be up for that after working overtime this week?” you’d asked in response.

“I’ll be alright, love,” he’d answered, like he had unlimited energy when it came to you.

And even though you’d asked him if you should bring dessert – only to be met with a cheeky comment about you being dessert – you showed up anyway with a matcha basque cheesecake in hand and a deli container filled with a yuzu scented whipped cream to top it with.

So this is how you find yourself perched on top of Luca’s kitchen island countertop, after having watched his exceptional knife skills for the last thirty. You spend your evening snacking on sliced sourdough bread you’re not sure how he had the time to make, and sip on your glass of red wine while watching him prepare a coq au vin. You swear you’ve got hearts in your eyes when you look at him, watching his muscular, inked forearms flex with how he grips his chef’s knife. As music plays softly in the background, a playlist you can only imagine is the entirety of Luca’s music library put on shuffle, you busy yourself, refilling your wine glass for your second glass of the night.

“Want another, babe?” you ask him, noticing that he’s on his way to empty as well.

“Sure. Thank you, my love,” he replies, scooping a handful of chopped carrots up from his cutting board with a bench scraper, depositing them into a small bowl. You watch as Luca picks up his glass of wine and makes his way over to you.

He hands you the glass, then places a gentle kiss against your lips, a smile spreading across his lips. Luca takes a few steps away so that you can fill his glass again, making a few swift movements to turn the heat down on the gas burner.

“How was your day?” he asks, while still moving around his kitchen.

You fill him in on your productive day of chores and catching up with an old friend while Luca listens, busy with removing the pieces of chicken out from the heavy, enameled, cast-iron pot and onto a plate. By the time Luca’s added hot oil to the pot, followed by the chopped carrots and peeled, halved cipollini onions, you’ve caught him up on the long version of Jesper’s latest love-life updates, since he and Claudio have now decided to make it official.

“So you used to make this with your mom?” you ask curiously, changing the subject as you watch Luca scrape the browned bits off the bottom of the pot.

He nods in response, stealing a glance your way, his lips turned up into a half smile.

“Yeah. Most coq au vins can take up to three to four hours, but my mum didn’t have the time,” Luca explains, as you watch him remove the pieces of chicken from out of the heavy, enameled, cast-iron pot and onto a plate. “But it was important for her… to cook for me… to share that ritual with me when she could.”

The sound of the wine and cognac mixture hitting the hot pan sizzles throughout Luca’s home, your nose filling with the smell of deglazed caramelized bits.

“And I spent a lot of time as a kid watching the cooking channel, so while we didn’t exactly spend all Sunday cooking a classic French coq au vin, Jamie Oliver’s did the job quite well,” Luca recalls, sharing a piece of his relationship with food with you.

“Well, it smells incredible,” you say, as he approaches you once more, this time with a full glass of wine in your hands, ready for him.

As Luca leans in again, the way he kisses you is much more languid, slow, like time is limitless. You breathe him in, completely enamored with the man that’s kissing you, and before anything too wild can happen, he pulls away, leaving you wanting more. Luca smirks, and you swear he knows the effect he has on you. He presses a quick peck to your lips this time, before taking the glass of wine from your hands and heading back to his post in front of the stovetop.

“This all goes back in,” he continues, using tongs to add the chicken and pancetta bits back into the simmering pot. “Then we braise it in the oven for about… thirty, forty minutes maybe.”

You raise your glass of wine to your lips, taking a quick sip of the beaujolais you’re using both for the coq au vin and to unwind, listening as the song changes in the background, instantly recognizing the drum pattern. The corners of your lips turn up into a smile as you close your eyes, enjoying the familiarity of the song as you say:

“God, I love this song.”

Luca smiles, “It’s a classic. Great song.”

Show me, show me, show me how you do that trick

The one that makes me scream, she said

The one that makes me laugh, she said

Threw her arms around my neck

“You know, I saw them when I was in my early 20s. It was just me and a bunch of somebody’s dads,” you grin, in reference to The Cure.

Luca chuckles at your comment, before asking, “Did you really?”

“Yes. And when they came out on stage, smoke machine and all, I wept because it was the fulfillment of a childhood dream – to see them. I… was a bit of an angsty teen,” you answer, raising your wine glass to your lips once more.

“Think we all had an angsty phase, more or less. Mine was less pining to The Cure and more stirrin’ up trouble,” Luca admits, lightheartedly.

“Again, and I’m holding you to it. You promised me pictures,” you remind him with aplomb.

“I did, yeah,” he chuckles, shyly, with a sigh of resignation.

You focus on enjoying one of your favorite songs and sipping on your glass of wine, as you watch Luca put the enameled cast-iron plot, full of the ready-to-braise coq au vin, into the oven.

Comfortable silences between you and Luca have become more frequent. There are days that all you want to do is stay up till the early hours of the morning talking and kissing and fucking, and there are others that you love leaning into the quiet intimacy that seems to be developing between you. It’s almost as if you’ve forgotten what this feels like – the excitement of something new where you’re learning so much about each other and everything feels like the first time.

It’s thrilling and it’s also safe.

Luca makes you feel safe, and you can’t imagine doing this with anyone else but him.

For a first time relationship, post-divorce, you really hit the jackpot, you think to yourself.

Luca continues moving around the kitchen, drinking his wine in between clean up tasks, as if he’s at work, hell bent on keeping his station clean. He’s much better than you are at that, you observe, as he does a few dishes that he’s used up, instead of leaving them in the sink for tomorrow.

As he dries his hands on a dish towel, the song changes, and the opening notes of Beyonce’s Love On Top begin playing. You smile as you hear the undeniable:

Bring the beat in!

“Alright, mate. Hear me out,” Luca proposes, spinning around with excitement. “And I don’t say this lightly. But this. This is one of the greatest songs of all time.”

“I-I’m sorry,” you giggle as you watch Luca dance to the song in his kitchen with a smoothness that’s somehow simultaneously a little silly.

“What? You don’t agree?” he asks, shooting you a look as he ball changes towards you, earning another laugh from you.

“No, I do. I love this song,” you grin from ear to ear. “I’m just so tickled by the fact that you love this song.”

“It’s Beyonce,” he defends, in his best ‘well-duh’ kind of tone, gesturing wildly. “C’mon. Let’s dance.”

“Wh-,” you begin to say, before Luca’s practically pulling you off of the counter to join him. “Luca!!”

But he’s not having any of your protests as he wraps his arms around you. You hang onto him, holding him close as he leads you in a silly uptempo kind of dance, spinning and turning you with him in a way that has you in a fit of giggles. The two of you stumble from his kitchen into the living space area as you move together, embracing how goofy and ridiculous you both feel.

Luca sings along softly, something you get a better listen to as soon as he’s pulling you close to him.

“What the fuck!” you practically shriek, your jaw practically on the floor.

“Hmm?” he hums in response, unphased by your outburst.

“You’re unfuckingreal,” you balk, as you listen to him hum along to the Beyonce song. “I mean. You-, like, you look like this, you’re great in bed, and you have a nice singing voice? How-, how’s a girl ever supposed to stand a chance?”

He chuckles, his lips ghosting over the shell of your ear, sending chills down your spine as he coos, teasingly, “I’m great in the sack, hmm?”

Your heart skips a beat as you pull back, just enough to look into the eyes of your lover as you say, “Oh fuck off.”

He laughs again, this time, leaving a soft kiss against your ear, hugging you closer to him as you slow your dance down as the song begins to end. There’s a pause between this and the next song, providing the perfect opportunity for Luca to answer your earlier question.

“You weren’t,” Luca replies, his voice quiet but sure. Supposed to stand a chance, he means. “I think we were supposed to meet. Supposed to be here.”

Supposed to fall in love.

He leans down to kiss you as the next song begins, transitioning into a much bluesier sound. The crooning sounds of Etta James blast from Luca’s living room speakers, as you smile into the kiss. You groan, your heart aching in the best way as kiss him to:

I want a Sunday kind of love

A love to last past Saturday night

And I'd like to know it's more than love at first sight

And I want a Sunday kind of love, oh yeah, yeah

“My God. I think tonight’s shuffle is proof that you may just have the most versatile taste in music history,” you mumble, pulling away for a moment from the kiss.

As you open your eyes, Luca’s just admiring you, an awestruck look on his face that steals your breath. No longer able to deflect with humor or anything else really, you lay your head on his chest, settling into the soft swaying motion of the dance that you and Luca have fallen into. Your arms go around his neck once more as Luca holds you close to him, making a mental note to remember this forever.

“How did you know?” you ask Luca, softly.

“What’s that, love?” he asks back.

“You said that you thought we might be good at this. At… at an ‘us.’ When we talked about starting to see each other,” you begin, choosing your words carefully, underscored by the violins of the song.

Luca takes a deep breath admitting that, “I didn’t.”

“What do you mean?” you ask, looking up at him, your eyes full of adoration for the man that’s captured your heart.

“Babe, I-,” he starts, letting out a small laugh. “I knew we got on well. And that I liked you. And I thought… if we got on this well as friends and you felt the same, that we could give it a go. See what happens.” He takes a beat, choosing his words, before continuing with:

“But, my love, I can’t predict the future. It could work out in the long run, it could not. But I wanted-, I want to see how far we can take it.”

You take a deep breath, because this conversation is deep-breath worthy.

Notorious for wanting to read the last page of a book first, you know he’s right, that you can’t predict the future, and you, now just as much as he does, would like to see how far this could go.

“Yeah it-, that makes complete sense,” you stammer, feeling incredibly vulnerable all of a sudden. You rest your head against his chest again, settling back into your slow sway to the beat.

Like clockwork, the song ends, something a little more upbeat trickling in through the speakers. You and Luca remain in each others’ arms, content to stay here forever. You’re amazed at his confidence, at his fearlessness to take a chance on love, and you think to yourself, he might be teaching you some of that too.

“Let’s take a trip together,” Luca suggests, the low resonance of his voice cutting through the quiet. “Maybe end of the month or something. An end of summer trip.” He chuckles, a hand coming up to stroke your hair as you enjoy the way his voice vibrates in his chest.

“Fuck it. I could care less if we make it in time for the end of summer. Let’s just get out of the city together.”

“That sounds spectacular,” you answer.

And it’s there, in Luca’s arms after a dance party for two, that you think to yourself, you couldn’t be happier.

#chef luca #will poulter #luca the bear #the bear season 2 #the bear headcanon #luca x reader #the bear hulu #the bear fx #the bear fanfiction #chef luca x reader #pastry chef luca #burn your life down

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eternalwanderer-stories · 2 months ago

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Perhaps this is an unpopular opinion, but still.

Many are afraid that the second season will not meet their expectations. It's logical that the authors won't follow what the fans want. I know the rules of this game well: you don't build any expectations – you don't end up with any disappointments. But despite this, I myself have two expectations – the interaction of Viktor and Jinx (seriously, Vi and Jayce got a whole scene with a cool soundtrack in the first season, and my beloved babygirl and my beloved boy did not get any scenes together, where is justice?) and scenes where Viktor would work on creating a Blitzcrank (I want it so much, you can't even imagine). But judging by the trailer that came out, I'm unlikely to get any of this.

But actually, more than all this, I'm afraid that the authors will just confirm some of the ideas of the fans. You know, those same ideas, similar to tropes from fanfiction like: Silco suddenly rises from the dead, Ekko begins to travel through time and in parallel universes because everyone eventually died and he tries to turn back time, Vander is actually the real father of Vi and Jinx and by the power of his daughters' love from Warwick turns back into human again, Victor resurrects Skye, and Jinx and Ekko arrange a lavish wedding in the end, everyone lived together and happily as one big family and all that sort of thing.

Is it cool in fan fiction? Yes, why not, that's what they're made for.

Is it cool in the show? I do not think so.

Arcane in the first season maintains a very good tone and a very good narrative atmosphere. It would be a shame if this tone suddenly changed unexpectedly in the second season.

I don't want Arcane to repeat Voltron's fate. Whoever was or is still in Voltron's fandom understands what I'm talking about. For those who do not know, I will tell you briefly: Voltron: Legendary Defender was released in 2016 and immediately fell in love with a huge number of people, receiving an unprecedented number of laudatory reviews. Cool characters, an interesting and well-developed plot, the series instantly became an audience favorite (it was not elevated to the rank of masterpieces, like Arcane, but it was very close to it). Almost everyone heard about him, talked about him, wrote about him, praised him. However, closer to the final season, everything changed. And then there was a leak (a familiar situation, right?) – footage of some plot twists from the final season has been leaked to the Internet. Not as big as Arcane's, but critical for those who didn't want to know in advance how it would end. Most of them, of course, refused to watch them. But there were also those who looked, and they instantly turned into those annoying people who whined all the time about how bad everything was going to be. And then the final season came out and it was very bad. A number of absolutely catastrophic decisions that the screenwriters made were more like it was written either in a drunken delirium, or the creators sat all night and read fan fiction on the Wattpad, drawing ideas from there. The characters' characters were strange, their actions were illogical, the whole narrative was madly in a hurry, on the contrary it was too long where it was not required, attention was not paid to really important storylines – simply put, there was no trace of the good early seasons, and the ending absolutely did not work as it should. Comparing the initial seasons and the final one, it was hard to imagine that this was the same series, it differed so much in quality (although, to be fair, there are many who accepted all this and liked it – no kidding, I'm glad for you, but I remember too vividly how much I was disappointed).

So, I don't want Arcane to go the same way. There is SO MUCH going on in the new trailer that the question comes to mind by itself – how can you adequately fit all this into 9 episodes? Maybe it's really just pointless and stupid worries, but the first season was so good that it's doubly scary now.

I don't want the story to suddenly turn into fanfiction in Wattpad.

(I remind you that this is a leak-free zone. Please, if you have watched the leaks, no need to spoiler in the comments or in reblogs).

#I have nothing against fanfiction #I write and read them myself #but #fanfiction and shows are different things #arcane #arcane season 2 #jinx #jinx arcane #viktor arcane #viktor

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kurophina · 1 month ago

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Lord Astarion and Larians original vision

Thankfully with patch 7, the AA kisses got fixed. However, it has definitely created a wave of people complaining about Larian not sticking to their original vision.

So what is Larians vision? Many people believe that Larians intention was to write a story about the "cycle of abuse", with Astarion being abusive towards the romanced player. However, I feel like there are so many examples in the game that suggest a happy narrative, not one of abuse.

First of all, we have the cut epilogue cards. Whilst they may have not made it in the game, they were written and voiced by Withers and can be found here.

At 52:32 in the video you get what I believe are the epilogue cards for a Durge that embraced Bhaal but destroyed the brain. The cards suggest a really horrible ending so if they wanted the AA romance to have some horrible outcome then they absolutely could have wrote cards reflecting that.

Secondly, we have this prophecy about how you will die if romanced with AA (if playing as Dark Urge).

youtube

Nothing about this supports an abusive narrative, if anything, it supports two vampires that are still in love until the end of the universe. It just feels weird to add this into the game if they wanted this path to be about abuse.

Thirdly, we have the dialogue tree of all the dialogue options in the inn post-brain and during the epilogue party. The majority of player responses are positive, with a few negative ones. If Larian intended for this to be a “bad” path to take and that it’s supposed to showcase abuse, wouldn’t it make more sense for the majority of player dialogue responses to be negative? Especially during the party. After all, the party takes place six months after the events of the game, this would be the perfect opportunity to show an abusive narrative, would it not?

Photo credit: Lesfir Another thing about the romance dialogues is Astarion says things such as "us, we, yours and mine". We even have this devnote on one of Astarions dialogue lines during the inn.

Stress on 'us'

Devnotes are mostly there as little notes from the writers for the voice actors as directions on how they want certain lines to be delivered. They wanted emphasis on the word "us" which I think says a lot on how the writers saw the relationship dynamic.

Last of all, we have the kisses. Although the kisses themselves are a common argument people have about Larian intending to show an abusive narrative, I feel like many people ignore the original purpose of the kisses update.

The kisses were added during a patch update for Valentines Day. The kisses were added for fanservice, not for story-telling purposes.

One of the AA kisses was used to promote the patch update on Twitter with the caption “on your knees”. If a company made those animations to show abuse, why promote it in such a way? The tweet can be found here.

If Larian really wanted to show an abusive storyline as some sort of "message", they could have done a much better job in the writing department. Personally, I don't think the game is as deep as people make it out to be. Yes, it shows a lot of heavy themes in the stories but the overall game itself is about having fun and crafting our own stories.

I hope my post was easy to understand, I'm not too familiar with writing blogs but I wanted to express some thoughts that were running in my head. Thank you for reading. <3

#ascended astarion #lord astarion

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felassan · 3 months ago

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Notes and thoughts on the August 30th dev Discord Q&A. (this post contains DA:TV spoilers from the recent Q&A).

Mother Ghil is a herbalist 😌

"there are opportunities in conversations, in dialogue, in scenes where you will, you know - a companion may ask you for a hug because they’re having a rough time and you are able to give it to them"

🥺😭 I'm worried (but in a good way, pls hurt me storylines) because this reminds me of DA:I when the Inquisitor can hug Varric after something incredibly sad happens as a result of our choices (Hawke's death in the Fade) oughh.

Influence on the fate of nations? 👁️

"Rook does become a fairly important figure" - this reminds me of Solas' line in a past trailer: "They call me the Dread Wolf. What will they call you when this is over?"

UNDERWEAR CHOICES

Taash is babey 🥺 it makes sense why in this screenshot she looks young. if Taash is in her early 20s, say 23, that means she probably can't have been one of the Five Belles of Hunter Fell as that was in 9:42 and she would have been like 13

Here is some further info about companion ages that came out since the time of the Q&A

Harding had to have been at least 18 ten years ago in 9:42 when she joined the Inquisition and became Lead Scout, so must be at least 28. but I think older, as I think she was older than 18 in DA:I by a fair few years. like around early to mid 20s at that point in time.

"they’re all people who have been through a lot [...] they’ve been through a tremendous amount by this point by the time you meet them" 🥺😭

"They’re more linear than some of the other parts of the game, because we feel that’s how we can tell the best stories, give you a very intentionally-paced experience, y'know, with lulls and climaxes, so it really hits you."

This was how Trespasser was and it was the best part of DA:I, the storytelling and narrative beats in that DLC were soo good.

Hossberg Wetlands! - new location confirmed, and also described as being one of the biggest like Arlathan Forest. also new location just dropped, Hossberg existed before in the lore but I don't remember hearing about the Wetlands! Hossberg is the capital of the Anderfels. it'll be awesome to see more of the Anderfels than only Weisshaupt. by the name these wetlands must be nearby Hossberg. I wonder whether they're around the Lattenfluss or more around this body of water to the south of Hossberg? the area around Kassel looks wet with multiple bodies of water, but there the nearest settlement is Kassel. we also learned that there's a Davrin-oriented quest there that he can show up in with Assan and help you clear the way forward

also, I remember reading before that "Thedas’s separate regions are connected by The Crossroads, which will allow players to venture out into", but from how The Crossroads was described in the Q&A, they sound kind've like an explorable area in and of themselves in the game like they were in Trespasser, and that's exciting. :D I'm so excited to explore in there some more and see how it has changed from DA:I/Trespasser:

"but this, isn’t necessarily the Crossroads as you remember it. So you’ll be able to explore this, this part of the Crossroads, and as you’re there, you’re absolutely gonna be discovering new areas, new quests, mysteries and new challenges"

like this sounds very 👁️. The Veil has been having a rough time lately and magic has been flowing into the world. reality is warping in places like Arlathan. we've seen the effects this sort of thing is having on the waking world. but what about the effects this is happening on the Fade and Fadey dimensions? I wonder if this game will still reflect that the Crossroads looks different for elves compared to other lineages?

"I wanna see that big 100% completed on my map. That’s gonna take you quite a bit of time."

I love that. :D

I totally agree that the cloth sim and hair sim in the game is beautiful and looks beautiful. you can see this when characters move their heads or when their capes and things move around as they move. its so cool!

"there is a unique Venatori-themed helmet. I, I don’t want to spoil what that is exactly, but, so, you can get a helmet, it is unique, it’s pretty interesting and ties into some of the events that can happen in the game but I’m just gonna leave it there."

inchresting... this helmet sounds like it has special powers or attributes and has some sort of presence in a possible plot somewhere.

I will still romance Strife Dragonage in my dreams

while Rook's romance is within the companions, iirc was mentioned elsewhere that sometimes companions may find romance both inside and outside of the party

Cat Vibing To Ievan Polkka

KFM: "So Taash breathes fire, Lucanis has wings, Harding is a dwarf who has magic. A lot of our companions have some strange abilities - is this because the Veil is compromised?" JE: "Oh, I’d say it’s, I mean partially yeah. I mean, we’ve talked before about how over the course of the time since Dragon Age: Inquisition, I mean, it started at the end of Trespasser. The Veil’s not in great shape. Corypheus already did a number on it, and Solas has very clearly, as you saw, in the [inaudible] preview, not been making things better in the intervening times. [...] because there’s all this magic that’s coming back to the world through the torn Veil"

This is inchresting and ties to what was said in these two previous quotes:

Lore/art direction: “Magic has started seeping into the world through Solas’ ritual”, “and so you’re seeing the effects of that on the space, and on the visuals as well” [post this is from, original source. original source is a John Epler interview video]

“Epler, who writes Bellara, tells me about her place in Thedas as an elf and the connection elves have to the magic of the world. He says if you’ve paid attention to the franchise, you likely already know that elves are historically an oppressed people in the games. Now, with two of their gods on the loose in Veilguard, magic has poured back into the world in a big way. […] A Quick Detour: Magic During my discussion, Epler spoke about magic’s place in the world and how it differs in Veilguard from previous Dragon Age games. Here’s what he said: "Historically, as you’ve mentioned, we’ve been in the south of Thedas and south Thedas is Ferelden, Orlais. Both are fairly still oppressed, they still have circles. Mages are viewed with suspicion, but Tevinter has always been this land where mages rule, mages are in charge, mages make the rules, mages run the show. So what does that look like? And as we’ve gone through [Dragon Age: Origins, Dragon Age II, Dragon Age: Inquisition], magic has become more and more present. And part of that is because Solas has been slowly preparing this ritual for longer than anyone in the Dragon Age universe is really aware of, but also, just going into the spaces where magic is, by definition and by the lore, much, much more present. And it’s been fun because, again, we do have rules; we want to make sure we’re not violating the lore or violating things we’ve said before. But it’s also, again, that permissiveness of, ‘Okay, what is the most interesting way to do this? What’s the most interesting way to tell the story? [In] Origins, II, on the Eclipse engine, we could talk about this fantastical magic, but the engine didn’t really allow us to show it. For the first time, we’re really able to let the visuals speak for themselves and not have to tell the player, ‘Trust us, it’s spectacular; this magic is really cool.’ We can actually show you and let you drink it in.” [post this is from, archive post of the original article as that went down when GI did]

The effects of this on space, reality, visuals, people and their abilities, ancient elven artifacts turning back on, and Solas' activities being part of what affected things in the time since DA:I. I wanna speculate that these ancient elven artifacts turning back on or becoming active again is part of why reality has been warping and "something [going] wrong" in Arlathan Forest. I wonder if the Morlyn clan journal relic began rewriting itself as a consequence of the magic returning.

Bellara was an interesting example though, she's a mage not a non-mage like Taash, Lucanis, Harding. was I parsing this right - is the implication that she wouldn't be able to interface with the artifacts that have turned back on if the Veil was in better shape and magic hadn't been pouring back in?

^ Bellara interfacing with an artifact

All the talk of magic coming back into the world are like Sandal's prophecy:

One day the magic will come back - all of it. Everyone will be just like they were. The shadows will part and the skies will open wide. When he rises, everyone will see.

and reminds of a few other bits too:

Ardent Blossom Faerie: "Pulling back the curtain. Let the light in. Let it burn. Bring faith. Bring hope. Bring dreams of life. - Morrigan: "Change is coming to the world. Many fear change, and will fight it with every fibre of their being. But sometimes change is what they need most. Sometimes, change is what sets them free." - Flemeth: "We stand upon the precipice of change."

I loved hearing about Bellara's friendships with Lucanis and Neve. it sounds so well thought-out, and I'm looking forwards to learning the relationships between each companion!!

Bellara believing that family is deeply important combined with a previous quote about her backstory,

"Whereas Bellara is somebody who has seen tragedy, and as you get into her character arc and get into her backstory, you realize this is a character who has seen a lot of tragedy"

makes me wonder if this tragedy has involved her family and if her family are okay. 🥺

Lucanis' belief in the deep importance of family makes me worried in case any of his personal arc/story involves the family tensions he has with Illario and Caterina

I love that Bellara collects newspaper clippings and was basically Neve fan before meeting her!

Neve must be a fairly prominent, well-known/successful private detective/investigator to have formed a large profile in print media

Taash and Emmrich [...] When you’re out in the field like exploring, or on missions with them, their banter is so good, because they do not see eye-to-eye on necromancy, like, at all, and, it’s really funny, it’s really delightful, I love seeing how it evolves

as a necromancer Emmrich doesn’t have a problem with necromancer (makes sense). I wonder what Taash dislikes about it? is it its bad reputation (per Josie in DA:I)? Solas freed the weak spirit the Mortalitasi in Tevinter Nights had bound to stir her drink. maybe Taash doesn’t like the binding part, or the undead helpers or servants part? maybe she just doesn't like the dead the way Bull doesn't like demons?

Having to figure out how Harding's new powers layer into her combat kit - Harding's new magical powers are part of her gameplay abilities confirmed!

Harding can also do Heavy Draw

Interesting - the more you help a faction the more gear you get from them. between that and transmog it means everyone can access the Antivan Crows awesome threads if they wanna :D

Both the specs and gear are themed around particular factions like aesthetically but aren't exclusive-to-them when it comes to use/gameplay

It sounds like each faction will have a quartermaster

Veil Jumper lore! they tend towards electricity/lightning damage and archery in their fighting style. and in general they're practically minded and dress as such because where they go and what they do requires care and protection and is dangerous, they wear boots/shoes etc for this reason

Veil Ranger info! it tends towards electricity, use of the Veil and use of that kind of magic. it also uses archery

The answer to the question about the Evoker spec made me reassured about the answer I wrote here ^^;

Great news that any piece of gear we find will unlock the appearance of that gear and how it can be applied to anything we want <3

Training dummy cosmetic - joke gear pieces like the Wedge of Destiny live on :D

I'm so psyched that we can even transmog our casual wear!! that's so cool and allows for so much agency. I find when I play mages in the past I'm always looking for the.. least magiest-looking mage gear to wear, and previously there wasn't crazy amounts of choice in casual wear, so this is amazing dbgfjdbd

very personal GIFTS for the blorbos 🥺 the gift system sounds so lovely and thoughtful. I think maybe some of the empty shelves that can be seen in the new screenshots of the companion rooms in the Lighthouse just miiight be where the companions will display the gifts

"A really big thing for us on this project is making sure that the gameplay reflects the characters, their arc and their personality as much as possible, so."

looking real hard at Lucanis' wings rn, especially given the context of what else we know about him 👁️

"you’re not even going to see everything necessarily in a couple of playthroughs"

Aaaaaa :D

as a warrior fan the love for the warrior class was really heartening. (love you Inky)

The Missing setting up some of the characters we'll see in the game makes me even more sure that alongside Strife&Irelin and Evka&Antoine we'll see Teia&Viago in the game (plus the characters in the release date reveal trailer that totally look like them ofc)

Emphasis that themes and events/things present and explored in Tevinter Nights are present in the game

It sounds like Vows & Vengeance is set in the weeks before the prologue of DA:TV kicks off

There is a buff called Rally Party where Rook triggers a surge in their companion's ability

MAAEEEEEEEEEE 😭😭😭 this was so good I was like yelling OMG. I'm sooo happy about this, this is so great. she's been on my 'DA4 wishlist of stuff' for so long and we waited to meet her since 2012 (12 years ago!!!). I'm soo excited to meet her oh my god. this reveal was honestly the highlight of the whole Q&A. pack it up, we can go home now. Mae.. 😭 I hope we get to see her interact with Varric. and I wonder if she has some involvement with the Shadow Dragons (Varric said something about "some old friends in Tevinter said the Shadow Dragons were pog to work with" in the gameplay reveal..), and how things are going with her and Dorian's faction the Lucerni

It sounds like Lucanis' parents were killed at some point in some Crow-Crow politics. probably when he was quite young, since when Lucanis thinks back on being raised by Caterina she did things like making him spend days without food or water, which makes it sound like he was quite young when he entered her care

No jealousy dialogue is interesting

I hope for a poly romance option in a future game

ABILITY TO SAVE CHARACTER APPEARANCES for use later in CC aaaa. Amazinggg. thankyouuu. a lot of thought has been put into the quality of life features of this game :') pausing cutscenes is another great one.

KFM: "The question is, is Lucanis possessed?" JE: "So, again, spoilers, everyone has been warned, fairly warned. So Lucanis Dellamorte is also known as The Demon of Vyrantium. And, he has spent a lot of time killing Venatori, who are mages, and who do know a lot about demons, so. Yeah, somebody decided that it might be a good idea to make that nickname stick."

👁️👁️👁️ Aaaaa. Inchrestinggg. From this and The Wigmaker Job I would guess that this "somebody" who decided that and did that to him is Zara Renata. she ended that short story like [evil anime villain laugh] "huehuehue":

"From flying vermin to malicious spirit. That's quite the promotion." [...] "A true maleficar knows demons cannot be killed, only controlled. If this Crow fancies himself a demon, then I look forward to using him to his full potential. He'll be duly punished"

Who else could the "someone" be? Zara, when I catch you.. 😠

I'm sure it will be different this time around as it always is! - both Wynne's situation (the specifics of it, how it came around, the effect it had on her) and how it was explored in the story was different to Anders' which was again different to Justice's in DA:O's to Cole's etc. (speaking veeery broadly in terms of the 'spirit companion' archtype, I know for example that Cole isn't possessed, simply a spirit. yk what I mean). I'm super curious about the take on this theme this time around ^^

(Lucanis possession-y-type-situation evidence [plus his demon-y looking tarot art, plus the wings and purple magic abilities of course])

I love the agency companions are given by them showing up in the field to help you, waiting for you somewhere on a quest they want to go on, or you encountering them out randomly somewhere doing there own thing (like the tidbit from a magazine about encountering Neve). it makes them feel like real people

I wonder if Taash's keen interest in the main story mission & the challenges of its arc in the far reaches of Arlathan Forest (it's strong enough that she shows up there impatiently if you don't take her) has something to do with the eluvian that's in her room?

"Far reaches of Arlathan Forest" is music to my ears btw as someone who has wanted to explore in there for the longest time

"You’ve just been around them, you’re aware of their techniques, and you wanna take that on yourself." - sensical explanation of what 'specs are aligned with/tied to factions' means ^^

KFM: "This next question is, where is the equator in Thedas, or the planet Thedas is on, relative to places we’ve explored?" JE: "That is a great question. So, I will say that, you know, it’s funny until I saw this question, it’s not something I’d ever thought a lot about, but as I started thinking about it a little bit more deeply, based on how the climate changes across Thedas, you know, obviously, to the south are the Avvar and things get a little bit more wintry, and then up north is a lot more tropical, I’d say that Thedas is a southern continent on this world, so."

I feel like the answer that was given here matches what a lot of fans have speculated or headcanoned on this topic. ^^

"There are these times where a companion, either their faction or their story arc is so closely tied or intersects with the events of a main story mission that they do become required, but it’s not the standard"

This makes sense. It sounds like Liara on Thessia in ME3.

When someone asked "Can a companion leave due to your world decisions, and if so, will their partners leave with them?" and John Epler mentioned that he would only answer half of this question as the other half is a spoiler, it made me wonder if companions will leave at certain times due to our world decisions

No mechanic behind companion-companion romances is so nice, it's more organic and real that way. I'm really looking forward to seeing the friendships and relationships between the companions develop

DAVRIN INFOOO 😭🙏 He sounds amazing. I wonder which companions in particular bring out his kindness

"He’s not just a Warden who sees fighting monsters as, you know, just part of the job. He believes in turning this into a skill-set that he alone, you know like, he has more than anyone else. Learning how to defeat monsters, learning their weaknesses, and that does show up a lot in his character arc, so."

this ties back to a related quote from a lil while ago.

I know it can be inferred from her vallaslin, but this Q&A is the first place I remember (atm) Bellara specifically being stated to be Dalish

We already saw each companion's Lighthouse casual wear here

Emmrich?? what are his casual threads like? :D

I wonder if Lucanis being one of the team cooks is part of why he appears to sleep in the kitchen storage/pantry

"It’s funny, I’d say that Dragon Age: The Veilguard is probably the most we’ve talked about food in a context of Dragon Age, ever" - it makes sense that it was only recently that the DA cookbook came out hh :D

Some of the companions being so bad at cooking that they'd burn water and die took me out. who do you think are the ones that aren't even 'passable' cooks but terrible ones hh? :D

So do the Crows in general quite enjoy the finer things in life and in food?

I wonder if part of Lucanis' interest in food and cooking stems from when he was young and Caterina made him go for days without food and water? :(

"So one of the things I really love is, you know, Bellara and Lucanis actually end up being, essentially, the team cooks. Bellara, you know, spending a lot of time out in nature, learning a lot about, you know, different types of cooking, is really big on experimentation, she likes to, you know, try different things. Lucanis comes from the Crows, Lucanis is very big on the finer things, so between the two of them, there’s a point in the story where they basically decide, if we don’t do this, the entire team is going to starve, so let’s just call ourselves the cook, cooks, and make sure that nobody dies of food poisoning, so."

I love this so much 🥺💜 ooh my heart. (its so wholesome and so funny at the same time). also Bellara's creativity and love of learning and exploring expresses itself in her cooking too!

It's great that fine, fancy dwarven-style beards are returning :D I wonder if there are also hairs with beads woven in? Strand hair in the beards 👌 beard physics working with different armors 👌 (amazing work!!). Dwarf Rooks shown before launch 👌 as many options in CC being universal as possible 👌 I love what I'm hearing!! I would guess from this that it means hair isn't gender-locked and mostly isn't lineage-locked (I can understand qunari hair may have to be) and things like that.

It wasn't in doubt ofc but this Q&A is the first time I remember hearing a clear mention that Solas was written by Trick Weekes in DA:TV

I'm really curious about the Rook faction background-dialogue with that same companion. it sounds like some have only heard of them and some may have known them a bit more directly. Like for example, is Antivan Crow Rook also from House Dellamorte, or another Antivan Crow house? Has Grey Warden Rook ever been to Weisshaupt (some Wardens don't seem to have)? Did Veil Jumper Rook ever go on adventures with Bellara? Did Emmrich and Mourn Watcher Rook ever be direct colleagues in the Necropolis? etc.

"maybe even heard of you leaving the faction to go help Varric to track down Solas" - this snippet makes it sound like part of Rook's backstory may involve having left their background faction when getting picked up/tapped by Varric for the work. inchresting

This screenshot shows an example of the Veilguard team hanging out together

"Rook and Solas have a connection, they have a bond'' - my guess is this is to do with Rook interfering with Solas' ritual, and the Lyrium dagger passing from Solas to Rook

I'm curious about the differences in Solas' connection/relationship with Rook to the one he had with the Inquisitor

"there are followers who, you know, are going to have a more complicated connection and complicated relationship with just, Solas as an entity, you know, Bellara, for example, is an elf, she’s Dalish, and this a person from her pantheon, so. There’s going to be a lot more of a, I guess, like I said, complex relationship between the two of them. Davrin is another example, someone else who is Dalish, so, you know, their views on the gods in general are going to be a little bit different"

I was happy to hear this. ^^ it would be odd if this sort of thing wasn't explored or at least acknowledged in the game. you can hear a bit of this in Bellara's release date trailer line, "Our gods are back. Our gods." it was also hinted at a bit in this Game Informer article I feel.

It sounds like Bellara and Davrin have slightly differing views on the elven gods.

It's so cool that we have 2 Dalish elf companions in the team this time! I missed a Dalish perspective in the roster in DA:I.

Turning off some of the UI components is great for taking screenshots and stuff

I think that Bellara's unique exploration ability is Tinker

Party swap-points confirmed?

Rook's ability to channel the companions' exploration abilities through the Lyrium dagger is super interesting 👀 I wonder how that works and how that comes about? Is it to do with lyrium? the Veil? the runes that can be put on the dagger? the mysterious entity in the Lighthouse that assists with crafting? do the companions each have some kind of connection to Rook sort've how Rook does to Solas? back in the day, when Solas led his own band of followers during his rebellion, when Solas' Lighthouse was filled with his own group of companions (Solas sees himself in Rook etc), did he channel his own companions' abilities the same way using the dagger? Was Felassan once essentially a party member of Solas'?

Great news on the helmet situation :). I wonder if the vitaar variants of helmets thing also applies to Taash?

Here's an example of qunari vitaar, two

Themed color-variant cosmetics 👀

Flowing faction-themed capes 👀

ASSAN SIBLINGS... after the Mae reveal, this was the highlight of this Q&A for real :D and it makes sense, griffons seem to lay clutches, so unless Assan was created or something wild or all the rest of his clutch died somehow, there would be others around in the world. I wonder what role the others will play in the game, and what the plotbeat around griffons is more generally

Confirmation that if companions showed up previously in TN they were at that point intended to be companions. It gives you an idea of how long some of these characters were worked on and developed for

Rook's surname being referenced in dialogue quite a bit 👀 interesting, I wonder when. Neve and Varric have called Rook "Rook" in videos from the game

Confirmation that the shape of Morrigan's crown is meaningful and tied to Flemythal stuff/themes

"In the case of Morrigan, she’s coming to terms with a lot of truths about both herself but also her mother, you know, you see her with Flemeth’s crown, or a variation of it, and that’s speaking to her personal journey of, what I would call, kind’ve acceptance of who she is and how she connects to Flemeth, because ultimately we want this to feel like a real world"

It sounds like all of these hints are coming to fruition now:

"A soul is not forced upon the unwilling, Morrigan. You were never in danger from me." - "Mother is the inheritor, she who awaits the next age." - "Designer’s Notes: This is Flemeth from the previous two games. In this game, Flemeth’s story comes to a head – she knew that Solas would summon her, and that he would need to steal her power to further his plans. She knew that because they are both elven gods…yet Solas has slept for a thousand years and his power dwindled, while she was killed long ago and a spark escaped from her into the body she now holds. She has nurtured that spark, and knew that Solas would need it. He was once her oldest friend, but she knows in his drive to save the elven people he will kill anyone – even her. She intends to let him have the power, so long as she can pass the essence of her god-hood onto Morrigan, a gift Flemeth had always planned for her daughter yet one Morrigan misunderstood as hostile possession."

Even mundane Kieran's dialogue line about who his mother is ("She's the Witch of the Wilds") touches on this. The old Witch of the Wilds, Flemeth, is no more. Morrigan has taken on the mantle, in a manner of speaking. These things seem especially impactful in worldstates where Morrigan drank from the Well. I am curious about how Well-drinking Morrigan vs non-drinking Morrigan will play out.

In a way, Morrigan has already stepped into her mother's role in the world of Dragon Age. Flemythal used to show up dramatically and mysteriously in every game to interact with the main character of that story. Morrigan has also been doing that, also now for 3 games. I'm reminded of Varric's tombstone in the Fade, Became His Parents. especially if she continues to do this while she gets older, the similarity is apparent.

It's cool that you don't have to be Spellblade spec to use orb and dagger

"while City Elf versus Dalish Elf is a lot more of a useful distinction in, you know, Ferelden, Orlais, we’re in northern Thedas, things are different up here. And a great example is Rivain. Dalish settlements, you know, they have Dalish settlements within cities, integrated into the cities, because, again, they don’t have that same bias, that same distinction."

New lore, or maybe a return to older lore? in DAII Isabela tells Merrill the Dalish haven't reached Llomerryn. but prior to that around 2009, David Gaider mentioned that the Dalish elves in Rivain have a semi-permanent settlement in Llomerryn. this sounds like that, and it sounds like it's not only Llomerryn. of course, Bela could just have been mistaken or this could be a recent development that began in the last decade or so in the world. I think it makes sense for what we know about Rivain.

"It’s a lot more about, how you play into the faction, you know, and, in some cases it matters more that you’re an elf, in other cases it doesn’t actually matter to the people of that faction, they’re just looking for someone who could do the work. A great example, and I’ll just, very, very light spoilers, Mourn Watch is a great example where, they just care that you are capable of, you know, executing the duties that you’re given, so."

I'm curious about which do and which don't for this, and not only for the elf lineage. an elven Veil Jumper may have more to say on or different investment in the artifacts they find and places they explore. an Antivan Crow who was employed because humans often find them attractive, or an Antivan Crow who was an enslaved elf or enslaved human and then bought by the Crows may have different thoughts on/experiences being a Crow than say a human who was born into it. (this is previous lore stuff, the Crows favoring recruiting elves, Zevran was bought etc). etc.

Lastly a quick recap on the things that came up in the Q&A that the devs said they would be talking about more soon:

They will be going deeper into settings, accessibility settings/features and similar things closer to launch

(On accessibility features, Corinne Busche mentioned that she thinks they are doing a feature, some kind of blogpost on that subject)